{"product_id":"adolf-busch-the-mozart-orchestral-recordings-1937-51-pasc639","title":"ADOLF BUSCH The Mozart Orchestral Recordings (1937-51) - PASC639","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Concerto No. 4\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Concerto No. 5\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003ePiano Concerto No. 14\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 34\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSerenade No. 6 'Serenata notturna'\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eAdagio and Fugue in C minor\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003eAdditional music by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBeethoven, Gabrieli, Purcell, Schütz, Stafford Smith\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eLive and studio recordings, 1937-51\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 2hr 28:02\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eAdolf Busch\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, violin\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eRudolf Serkin\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eBusch Chamber Players\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eOrquesta de cámara de la Asociación Amigos de la Música\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003edirected and conducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eAdolf Busch\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC639.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\nAlthough posterity has decided that Adolf Busch was the Beethoven violinist\npar excellence, his favourite composers were Bach and Mozart. He performed\nmore music by Mozart than any other musician of his time and was the only\none to play all five Violin Concertos plus the \u003cem\u003eSinfonia concertante\u003c\/em\u003e and \u003cem\u003eConcertone\u003c\/em\u003e. Had World War II not\nbroken out when it did, we should have had more HMV Mozart recordings,\nincluding string quintets with Paul Doktor as second violist. Some\ncompensation was provided by a magnificent 1942 account of the String\nQuartet in E flat, K428, made by the Busch Quartet in New York.\n\u003c\/p\u003e\n\u003cp\u003e\nBusch often made his feelings clear: ‘With Mozart and Bach there is no bad\nwriting, only beautiful and more beautiful’ … ‘I wish I had known Mozart,\nso that I could have told him I understood him’ … ‘Mozart is altogether the\nmost cunning swine that ever existed; he knew more than the Lord God knew’\n… ‘After Bach, Mozart knew the most about counterpoint’ … ‘How can you deny\nthe existence of God if there is a G minor Symphony?’ Brother Fritz, and\neven Toscanini, consulted him on points of Mozartian style and accuracy. He\nplayed an enormous range of Mozart chamber music – including Violin\nSonatas, String Duos, Piano Trios and Quartets, \u003cem\u003eDivertimenti\u003c\/em\u003e,\nString Quartets and Quintets – and used Mozart themes for two of his most\nsuccessful compositions.\n\u003c\/p\u003e\n\u003cp\u003e\nTwo movements of the D major Quartet, K575, were among Busch’s first\nrecords. And when, in 1935, he founded a chamber orchestra which he led\nfrom the first violin desk, after two seasons of Bach he introduced pieces\nby Mozart: A major Violin Concerto, k219, E flat Piano Concerto, k271, \u003cem\u003eAdagio \u0026amp; Fugue\u003c\/em\u003e, k546, \u003cem\u003eSerenata\u003c\/em\u003e \u003cem\u003enotturna\u003c\/em\u003e,\nk239, and \u003cem\u003eEine kleine\u003c\/em\u003e \u003cem\u003eNachtmusik\u003c\/em\u003e. In 1938 he added two\nmore E flat Concertos, k365 for two pianos and k449 for solo piano, and the\nD major Violin Concerto, k218. Five of those works are included here.\nFascinating from a violinistic point of view is the \u003cem\u003eSerenata\u003c\/em\u003e \u003cem\u003enotturna\u003c\/em\u003e, as it showcases the gemütlich Adolf Busch who led a\nViennese orchestra for six years and liked to play Strauss waltzes. The\nViolin Concertos are stylishly played, with Eingängen where appropriate;\nthe D major is from Busch’s last year of concert activity. Busch had two\nSymphonies in his chamber orchestra repertoire, Nos 33 and 34: by chance\nNo. 34 was captured off-air and made available to wartime radio stations.\n\u003c\/p\u003e\n\u003cp\u003e\nThe non-Mozartian performances here are all interesting. The \u003cem\u003eGrosse Fuge\u003c\/em\u003e recording was the first performance by the American\nBusch Chamber Players – Toscanini had attended the rehearsals. The others\ncome from a live broadcast. \u003cem\u003eThe Star-Spangled Banner\u003c\/em\u003e should have\nhad Rudolf Serkin improvising a ‘continuo’, but he was ill. The deeply\nmoving Schütz \u003cem\u003eLitany\u003c\/em\u003e features contralto Christine Johnson\n(1911-2010), winner of the 1943 Metropolitan Opera Auditions of the Air and\nthe first Nettie Fowler in \u003cem\u003eCarousel\u003c\/em\u003e. She gave up her career in\n1950, on marrying, and returned to her native Kentucky to raise a family\nand teach.\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cb\u003eTULLY POTTER\n\u003c\/b\u003e\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cb\u003eADOLF BUSCH\u003c\/b\u003e The Mozart Orchestral Recordings\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eCD 1 [78:11]\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cb\u003e\u003cspan style=\"font-size: 17px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 17px;\"\u003eSerenade in D minor, K239, \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 17px;\"\u003eSerenata notturna\u003c\/span\u003e\u003c\/em\u003e \u003cbr\u003e1. 1st mvt. - Marcia. Maestoso  (3:04)\u003cbr\u003e2. 2nd mvt. - Minuetto  (3:59)\u003cbr\u003e3. 3rd mvt. - Rondo. Allegretto  (4:36)\u003cb\u003e\u003cbr\u003eAdolf Busch, Gösta Andreasson\u003c\/b\u003e (violin)\u003cb\u003e\u003cbr\u003eKarl Doktor\u003c\/b\u003e (viola)\u003cbr\u003e\u003cb\u003eCarlo Morini\u003c\/b\u003e\n(double-bass)\u003cbr\u003e\u003cb\u003eClarence O’Neil\u003c\/b\u003e (timpani)\u003cbr\u003e\u003cb\u003eBusch Chamber Players\u003c\/b\u003e, dir. \u003cb\u003eAdolf\nBusch\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eKingsway Hall, London, 11.10.1938\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eHMV Mat. 0EA 1186\/9, DA 1673\/4\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 17px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 17px;\"\u003eViolin Concerto No. 5 in A major, K219\u003c\/span\u003e (cadenzas: Joseph Joachim)\u003cbr\u003e4. 1st mvt. - Allegro aperto  (8:37)\u003cbr\u003e5. 2nd mvt. - Adagio  (10:02)\u003cbr\u003e6. 3rd mvt. - Rondeau. Tempo di Menuetto  (8:18)\u003cb\u003e\u003cbr\u003eAdolf Busch\u003c\/b\u003e (violin)\u003cb\u003e\u003cbr\u003eBusch Chamber Players, Adolf Busch\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eLiederkranz Hall, New York, 30.4.1945\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eColumbia Mat. XCO 34649\/55, 71749\/52-D (M 609), 71753\/6-D (MM 609)\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cb\u003e\u003cspan style=\"font-size: 17px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 17px;\"\u003eSymphony No. 34 in C major, K338\u003c\/span\u003e\u003cbr\u003e7. 1st mvt. - Allegro vivace  (5:31)\u003cbr\u003e8. 2nd mvt. - Andante di molto (più tosto Allegretto)  (5:27)\u003cbr\u003e9. 3rd mvt. - Finale: Allegro vivace  (3:24)\u003cb\u003e\u003cbr\u003eBusch Chamber Players\u003c\/b\u003e, dir. \u003cb\u003eAdolf Busch\u003c\/b\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cbr\u003elive recording, Town Hall, New York City, 14.4.1944\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eOffice of War Information (Overseas Branch) Discs 13-4999\/5003\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 17px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 17px;\"\u003eViolin Concerto No. 4 in D major, K218\u003c\/span\u003e (cadenzas: Adolf Busch)\u003cbr\u003e10. 1st mvt. - Allegro  (8:44)\u003cbr\u003e11. 2nd mvt. - Andante  (8:56)\u003cbr\u003e12. 3rd mvt. - Molto allegro  (7:33)\u003cb\u003e\u003cbr\u003eAdolf Busch\u003c\/b\u003e (violin)\u003cb\u003e\u003cbr\u003eOrquesta de cámara de la Asociación Amigos de la\nMúsica\u003c\/b\u003e, dir. \u003cb\u003eAdolf Busch\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eCine Teatro Broadway, Buenos Aires, 5.6.1951\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003elive broadcast, previously unrelease, from private acetates\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eCD 2 [69:51]\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cb\u003e\u003cspan style=\"font-size: 17px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 17px;\"\u003eAdagio \u0026amp; Fugue in C minor, K546\u003c\/span\u003e\u003cbr\u003e1. 1. Adagio  (4:37)\u003cbr\u003e2. 2. Fugue  (4:36)\u003cbr\u003e\u003cb\u003eBusch Chamber Players\u003c\/b\u003e, dir. \u003cb\u003eAdolf Busch\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eAbbey Road Studio No. 1, London, 10.10.1937\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eHMV Mat. 2EA 5394\/5, DB 3391\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n\u003cb\u003e\u003cspan style=\"font-size: 17px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 17px;\"\u003ePiano Concerto no. 14 in E flat, K449\u003c\/span\u003e\u003cbr\u003e3. 1st mvt. - Allegro vivace  (8:02)\u003cbr\u003e4. 2nd mvt. - Andantino  (7:20)\u003cbr\u003e5. 3rd mvt. - Allegro ma non troppo  (5:49)\u003cb\u003e\u003cbr\u003eRudolf Serkin\u003c\/b\u003e (piano)\u003cb\u003e\u003cbr\u003eBusch Chamber Players\u003c\/b\u003e, dir. \u003cb\u003eAdolf Busch\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eKingsway Hall, London, 11.10.1938\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eHMV Mat. 2EA 1190\/5, DB 3690\/2, DB 8611\/3\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cbr\u003eBonus Tracks:\n\u003c\/p\u003e\n\u003cp\u003e\n6. \u003cb\u003eSTAFFORD SMITH\u003c\/b\u003e \u003cem\u003eThe Star-Spangled Banner\u003c\/em\u003e (arr. Adolf Busch) (1:29)\u003cbr\u003e7. \u003cb\u003eGABRIELI \u003c\/b\u003eCanzon per sonar primi toni a 10, Ch.176  (3:00)\u003cbr\u003e8. \u003cb\u003ePURCELL \u003c\/b\u003eChacony in G minor, Z.730  (8:04)\u003cbr\u003e9. \u003cb\u003eSCHÜTZ \u003c\/b\u003e(arr. Busch) - Litania, SWV 458  (10:10)\u003cb\u003e\u003cbr\u003eChristine Johnson\u003c\/b\u003e (contralto), \u003cb\u003eNew Choral Group\u003c\/b\u003e (chorus master \u003cb\u003eCarl\nBamberger\u003c\/b\u003e), \u003cb\u003eLukas Foss\u003c\/b\u003e (continuo\npiano)\n\u003cb\u003e\u003cbr\u003eBusch Chamber Players\u003c\/b\u003e: \u003cb\u003eAdolf Busch, Felix Galimir, Frances Magnes, Arlie\nFurman \u003c\/b\u003e(violin), \u003cb\u003eKarl Doktor, Lotte Hammerschlag, Theodor Ratner, Sol\nRumberg\u003c\/b\u003e (viola), \u003cb\u003eHermann Busch, Emmerich Gura\u003c\/b\u003e (cello), \u003cb\u003eIrven Whitenack\u003c\/b\u003e\n(double-bass)\n\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003elive recording, Town Hall, New York City, 26.3.194\u003c\/span\u003e\u003cspan style=\"font-size: 12px;\"\u003e3, from private acetates\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e10. \u003cb\u003eBEETHOVEN \u003c\/b\u003e(arr. Weingartner) - Große Fuge, Op.133  (16:44)\u003cb\u003e\u003cbr\u003eBusch Chamber Players\u003c\/b\u003e, dir. \u003cb\u003eAdolf Busch\u003c\/b\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cbr\u003eLiederkranz Hall, New York, 2.10.1941\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eColumbia Mat. 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