{"product_id":"boult-bbc-so-pre-war-recordings-volume-2-1932-37-pasc715","title":"BOULT \u0026 BBC SO Pre-War Recordings, Volume 2 (1932-37) - PASC715","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eWEBER \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eDer Freischütz, Euryanthe Overtures\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMENDELSSOHN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eHebrides, Ruy Blas Overtures\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMENDELSSOHN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eMidsummer Night's Dream Nocturne\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBERLIOZ \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eLes francs juges, Le roi Lear, Roman Carnival Overtures\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eAUBER \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eMasaniello Overture\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eNICOLAI \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eMerry Wives of Windsor Overture\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eCHOPIN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eFuneral March (arr. Elgar)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMEYERBEER \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eCoronation March\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eSCHUMANN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eManfred Overture\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eSUPPÉ \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eLight Cavalry Overture\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recordings, 1932-1937\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 1hr 58:06\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eBBC Symphony Orchestra\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eSir Adrian Boult\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC715.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\n\nThis volume is the second in a series of four which will reissue all of\nSir Adrian Boult’s orchestral recordings with the BBC Symphony from the\n1930s, many for the first time since their appearance on 78 rpm discs.\nWhile his concerto recordings with the ensemble during this period have\nremained sporadically available, his purely orchestral discs have seen\nonly a handful of reissues over the years, focusing on a small amount\nof repertoire. The present release features the only recordings of the\novertures by Auber, Weber and Schumann that Boult made over his long\ncareer; and to the best of our knowledge, half of the selections on\nthis release have never previously been reissued.\n\n\u003c\/p\u003e\n\u003cp\u003e\nAdrian Boult had been the music director of the City of Birmingham\nOrchestra since 1924 when he was approached by the British Broadcasting\nCompany regarding the creation of a permanent orchestra for broadcasts and\nconcerts. Its first appearance in October, 1930 revolutionized the London\nmusic scene with a standard of playing far above what had hitherto been the\nnorm, an achievement that was soon rivaled by Beecham’s creation of the\nLondon Philharmonic two years later. The BBC Symphony, which Boult led\nuntil he reached his mandatory retirement age in 1950, made its first\nrecordings in May, 1932. He was knighted in 1937.\n\u003c\/p\u003e\n\u003cp\u003e\nWhile the first volume of our series focused on Baroque and Classical era\nrepertoire, this release presents music from the early Romantic period; and\nwhile the earlier release included works of extended length (including\nthree symphonies), the present one is comprised mainly of lively, colorful\nopera overtures, the kind of music which was once ubiquitous as symphonic\nprogram openers and at outdoor bandshell concerts, but which has almost\ncompletely disappeared from the repertoire over the past several decades.\n\u003c\/p\u003e\n\u003cp\u003e\nBoult greatly admired Toscanini (as can be heard in his radio interval talk\nduring one of The Maestro’s postwar Philharmonia Brahms concerts on PASC 377), and his approach in these works mirrors the elder conductor’s focus\non clarity of instrumental lines, forward-moving tempi and avoidance of\ninterpretational indulgence. Boult uses string portamenti sparingly, yet\nwith effect; and he is also able to whip up immense excitement, a prime\nexample of which is the ending of the \u003cem\u003eRoman Carnival\u003c\/em\u003e Overture.\n(Interestingly, Boult had recorded both sides of this work at the beginning\nof a session involving several works, then had the orchestra repeat the\nlast side for two more takes at the end, presumably after they had been\nsufficiently loosened up. It was from those last takes that the published\nside was taken.)\n\u003c\/p\u003e\n\u003cp\u003e\nThe sources for the transfers were American Victor “Z”-type shellac\npressings for the \u003cem\u003eHebrides\u003c\/em\u003e, \u003cem\u003eRuy Blas\u003c\/em\u003e, \u003cem\u003eMasaniello\u003c\/em\u003e\nand \u003cem\u003eLight Cavalry\u003c\/em\u003e overtures and the\n\u003cem\u003e\nMidsummer Night’s Dream\n\u003c\/em\u003e\nNocturne; Victor “Gold” label pressings for the \u003cem\u003eEuryanthe\u003c\/em\u003e,\n\u003cem\u003e\nMerry Wives of Windsor\n\u003c\/em\u003e\n, and \u003cem\u003eManfred\u003c\/em\u003e overtures; wartime Victors (the earliest U.S.\neditions) for \u003cem\u003eLes francs juges\u003c\/em\u003e and \u003cem\u003eLe roi Lear\u003c\/em\u003e; and\nBritish HMV discs for the remainder, which were not issued in the States.\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMark Obert-Thorn\u003c\/strong\u003e\n\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 24px;\"\u003eBOULT \u0026amp; BBC SO\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 24px;\"\u003e Pre-War Recordings, Volume 2\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cstrong\u003eCD\u003c\/strong\u003e\u003cstrong\u003e 1\n(73:49)\n\u003c\/strong\u003e\n\n\u003cp\u003e\n1. \u003cstrong\u003eWEBER \u003cem\u003eDer Freisch\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eü\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003etz\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e-\nOverture \u003c\/strong\u003e(8:27) \u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 7 October 1932 ∙ Matrices: 2B 2855-6 \u0026amp; 2856-3 ∙ First\nissued on HMV DB 1678\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n2. \u003cstrong\u003eWEBER \u003cem\u003eEuryanthe\u003c\/em\u003e - Overture \u003c\/strong\u003e(7:53)\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 28 January 1937 ∙ Matrix: 2EA 4630-1A \u0026amp; 4631-1A ∙ First\nissued on HMV DB 3130\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n3. \u003cstrong\u003eMENDELSSOHN \u003cem\u003eHebrides\u003c\/em\u003e Overture (\u003cem\u003eFingal’s Cave\u003c\/em\u003e),\nOp. 26 \u003c\/strong\u003e(9:16) \u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 20 October 1933 ∙ Matrices: 2B 4687-2 \u0026amp; 4688-2A ∙ First\nissued on HMV DB 2100\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n4.\n\u003cstrong\u003e\nMENDELSSOHN Nocturne from \u003cem\u003eA Midsummer Night’s Dream\u003c\/em\u003e, Op. 61\n\u003c\/strong\u003e\n(5:34)\u003cbr\u003e\u003cstrong\u003eAubrey Brain, \u003c\/strong\u003e\u003cem\u003esolo horn\u003c\/em\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 April 1933 ∙ Matrices: 0B 4168-2 \u0026amp; 4169-1 ∙ First issued on\nHMV DA 1318\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n5.\n\n\u003cstrong\u003eMENDELSSOHN \u003cem\u003eRuy Blas\u003c\/em\u003e - Overture\u003c\/strong\u003e\n\n\u003cstrong\u003e, Op. 95\u003c\/strong\u003e (7:12) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 2 November 1934 ∙ Matrices: 2EA 880-1A \u0026amp; 881-2A ∙ First\nissued on HMV DB 2365\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n6.\n\n\u003cstrong\u003eBERLIOZ \u003cem\u003eLes francs juges\u003c\/em\u003e \u003c\/strong\u003e\n\n\u003cstrong\u003eOverture, Op. 3\u003c\/strong\u003e (13:10) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 3 December 1936 ∙ Matrices: 2EA 4168-1A, 4169-1 \u0026amp; 4170-1 ∙\nFirst issued on HMV DB 3131\/2\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n7. \u003cstrong\u003eBERLIOZ \u003cem\u003eLe roi Lear\u003c\/em\u003e Overture, Op. 4\u003c\/strong\u003e (13:26)\n\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 3 December 1936 ∙ Matrices: 2EA 4171-1A, 4172-1 \u0026amp; 4173-1 ∙\nFirst issued on HMV DB 3093\/4\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n8. \u003cstrong\u003eBERLIOZ \u003cem\u003eRoman Carnival\u003c\/em\u003e Overture, Op.9 \u003c\/strong\u003e(8:48)\n\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 20 October 1933 ∙ Matrices: 2B 4685-1 \u0026amp; 4686-2A ∙ First\nissued on HMV DB 2078\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\n\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 2\n(44:17)\u003cbr\u003e\u003c\/strong\u003e1.\n\n\u003cstrong\u003eAUBER \u003cem\u003eMasaniello\u003c\/em\u003e - Overture\u003c\/strong\u003e\n\n(7:36) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 2 November 1934 ∙ Matrices: 2EA 878-3A \u0026amp; 879-2A ∙ First\nissued on HMV DB 2364\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n2. \u003cstrong\u003eNICOLAI \u003cem\u003eThe Merry Wives of Windsor\u003c\/em\u003e -\nOverture \u003c\/strong\u003e(7:25) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 27 March 1934 ∙ Matrices: 2B 6851-2A \u0026amp; 6852-1A ∙ First\nissued on HMV DB 2195\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n3.\n\n\u003cstrong\u003eCHOPIN (orch. Elgar) Funeral March from Sonata No. 2 in B-flat\nminor\u003c\/strong\u003e\n\n\u003cstrong\u003e, Op. 35 \u003c\/strong\u003e(7:23) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 30 May 1932 ∙ Matrices: 2B 2903-1B \u0026amp; 2904-2A ∙ First\nissued on HMV DB 1722\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n4. \u003cstrong\u003eMEYERBEER Coronation March from \u003cem\u003eLe proph\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eè\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003ete \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e(3:26)\n\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 16 April 1937 ∙ Matrices: 2EA 1053-3 ∙ First issued on HMV DB\n3163\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n5. \u003cstrong\u003eSCHUMANN \u003cem\u003eManfred\u003c\/em\u003e - Overture, Op. 115\u003c\/strong\u003e (11:24)\n\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 27 March 1934 ∙ Matrices: 2B 6847-2A, 6848-2A \u0026amp; 6849-1 ∙\nFirst issued on HMV DB 2189\/90\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n6. \u003cstrong\u003eSUPP\u003c\/strong\u003e\u003cstrong\u003eÉ\u003c\/strong\u003e\u003cstrong\u003e\n\u003cem\u003eLight Cavalry\u003c\/em\u003e - Overture \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e(6:58)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 2 November 1934 ∙ Matrices: 2EA 876-2A \u0026amp; 877-2A ∙ First\nissued on HMV DB 2362\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eSir Adrian Boult ∙ BBC Symphony Orchestra\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\nProducer and Audio Restoration Engineer: \u003cb\u003eMark Obert-Thorn\n\n\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\n\nSpecial thanks to the British Library, Nathan Brown, Richard A. 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