{"product_id":"erica-morini-the-complete-victor-recordings-1921-1945-pasc714","title":"ERICA MORINI The Complete Victor Recordings (1921-1945) - PASC714","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eTCHAIKOVSKY \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Concerto\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBRAHMS \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eHungarian Dances\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eVIVALDI \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Sonata in D\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003emusic by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eRavel, Sarasate, Schubert, Schumann, Wieniawski, Zarzycki, Godard, Svendsen, Toselli, Tobani, Lange\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recordings, 1921-1945\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 2hr 3:22\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eErica Morini\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, violin\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eAlice Morini\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eEmanuel Balaban\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eSàndor Vas\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eKurt Hetzel\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eNathaniel Shilkret\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eMax Lanner\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eArtur Balsam\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eChicago Symphony Orchestra\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eDésiré Defauw\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC714.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\nErica Morini was born in Vienna in 1904. Her father had trained as a\nviolinist and ran a music school. Although she began ballet lessons at the\nage of four, her musical talents were quickly recognized, and she entered\nthe Vienna Conservatory at seven as its youngest (and first female)\nstudent. She made her Viennese debut at the age of twelve, and by the\nfollowing year played the Beethoven concerto under Nikisch, who proclaimed\n“This is not a Wunderkind, it is a wonder.”\n\u003c\/p\u003e\n\u003cp\u003e\nIn January, 1921, she made a sensational American debut in New York at the\nage of seventeen, with critics comparing her to Heifetz. She continued to\nappear in the USA, Britain and the continent with Vienna as her home until\nthe Anschluss forced her, among many other prominent Jewish artists, to\nrelocate to America. She continued to concertize regularly until the\nmid-1960s with one final recital in 1976, and died in New York in 1995.\nNew York \u003cem\u003eTimes\u003c\/em\u003e critic Harold C. Schonberg called her “probably the\ngreatest woman violinist who ever lived,” although Morini herself said “[a]\nviolinist is a violinist, and I am to be judged as one – not as a female\nmusician.”\n\u003c\/p\u003e\n\u003cp\u003e\nMorini’s recording career began shortly after her New York debut with a\nseries of acoustic discs for the Victor Talking Machine Company. As was\ntheir practice at the time with other violinists on their roster, such as\nKreisler, Elman and Heifetz, Morini was asked to record short, encore-like\nworks that would fit on a single side, even if this meant abridgement (as\nin the case of the Sarasate \u003cem\u003eCarmen\u003c\/em\u003e Fantasy). The high number of\ntakes for some of the sides (thirteen for the Toselli Serenade alone)\ndocument her struggle for perfection.\n\u003c\/p\u003e\n\u003cp\u003e\nAlready, at the age of seventeen, the hallmarks of her playing can be\ndiscerned: her amazing technical facility, her generous portamento, and\nthe smoky, viola-like tones she could produce when called upon. A handful\nof her fourteen acoustic sides have been reissued over the years, but this\nis the first time they have been collected together since they were\nrecorded, a hundred years ago and more.\n\u003c\/p\u003e\n\u003cp\u003e\nAfter a three-year hiatus from the recording studio, Morini made a series\nof discs for Polydor and Electrola in Germany and for HMV in Britain from\n1927 through 1929. A dozen further years away from the microphone lay\nahead before she rejoined Victor to record the six sides heard at the\nbeginning of the second half of our program. Interestingly, she remade\nthree of the titles she had first waxed for the label twenty years earlier\n– the two Wieniawski works and the Sarasate \u003cem\u003eFaust\u003c\/em\u003e Waltz – while\nadding a Vivaldi Sonata that would point toward the kind of repertoire she\nwould explore in greater depth in her 1950s LP recordings for Westminster.\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\nNearly four more years would pass until her next group of Victor sessions.\nThe Brahms Hungarian Dances were recorded in numerical order, but\noriginally presented as they are here. They are characterful readings,\nplayed with immense panache. Three months later, her final recording for\nthe label would also be her first concerto recording, the Tchaikovsky, with\nthe Chicago Symphony under its Belgian-born music director, Désiré Defauw.\nThe recording, well-made for its time, virtually leaps out of the speakers\nwith virtuosic excitement. Morini presses Defauw to keep up with her speed\nin the first movement; and throughout, each minor detail seems to have been\ncarefully considered, and beautifully rendered, by the soloist.\n\u003c\/p\u003e\n\u003cp\u003e\nMorini was among the last of the “old school” of Viennese violinists like\nKreisler; and even during her career, her popularity was eclipsed by the\nrising number of Russian-trained fiddlers such as Heifetz, Milstein,\nOistrakh and others who were influenced by them (Stern, Perlman). She is\nremembered today by few other than collectors of old violin recordings. It\nis to be hoped that reissues such as this will help remedy the situation,\nby bringing her considerable achievements to the fore once again – still a\nwonder, a century onward.\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMark Obert-Thorn\u003c\/strong\u003e\n\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\n\u003cstrong\u003e\n\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cb\u003eERICA MORINI\u003c\/b\u003e The Complete Victor Recordings\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003edisc one:  Acoustic Recordings (1921 – 1924)\n(53:12)\n\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n1. \u003cstrong\u003eSARASATE Romanza andaluza \u003c\/strong\u003efrom \u003ci\u003eDanzas españolas\u003c\/i\u003e, Op. 22\n(4:59)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 April 1921 · Matrix: C 25125-4 · First issued on Victor 74692\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e2. \u003cstrong\u003eWIENIAWSKI Capriccio-Valse, \u003c\/strong\u003eOp. 7\u003cstrong\u003e\u003c\/strong\u003e (4:20)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 April 1921 · Matrix: C 25128-5 · First issued on Victor 74686\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n3. \u003cstrong\u003eSARASATE Waltz \u003c\/strong\u003efrom Fantasy on Gounod’s \u003cem\u003eFaust\u003c\/em\u003e,\nOp. 13 (2:39)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 April 1921 · Matrix: B 25129-4 · First issued on Victor 64979\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e4. \u003cstrong\u003eZARZYCKI Mazurka in G major, \u003c\/strong\u003eOp. 26\u003cstrong\u003e\u003c\/strong\u003e (4:47)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 4 November 1921 · Matrix: C 25126-10 · First issued on Victor 74727\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e5. \u003cstrong\u003eWIENIAWSKI Romance\u003c\/strong\u003e from Violin Concerto in D minor, Op.\n22\u003cstrong\u003e\u003c\/strong\u003e (4:35) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 4 November 1921 · Matrix: C 25127-9 · First issued on Victor 74717\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e6. \u003cstrong\u003eGODARD Canzonetta\u003c\/strong\u003e from \u003ci\u003eConcerto romantique\u003c\/i\u003e, Op.\n35 \u003cstrong\u003e\u003c\/strong\u003e(3:03) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 4 November 1921 · Matrix: \u003c\/span\u003e\u003cspan style=\"font-size: 12px;\"\u003eB 25124-3\u003c\/span\u003e\u003cspan style=\"font-size: 12px;\"\u003e· First\nissued on Victor 66038\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e7. \u003cstrong\u003eSCHUMANN At the fountain\u003c\/strong\u003e (2:46) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 3 April 1922 · Matrix: B 26193-1 · First issued on Victor 66074\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e8. \u003cstrong\u003eSCHUBERT (arr. Franko) Valse sentimentale\u003c\/strong\u003e No. 10 from\nD.783\u003cstrong\u003e\u003c\/strong\u003e (2:24) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 3 April 1922 · Matrix: B 26400-1 · First issued on Victor 66086\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e9. \u003cstrong\u003eSVENDSEN Romance in G major\u003c\/strong\u003e, Op. 26 \u003cstrong\u003e\u003c\/strong\u003e(4:29) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 4 January 1923 · Matrix: C 26194-6 · First issued on Victor 74797\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e10. \u003cstrong\u003eTCHAIKOVSKY June (Barcarolle) \u003c\/strong\u003efrom \u003ci\u003eThe Seasons\u003c\/i\u003e, Op.\n37a \u003cstrong\u003e\u003c\/strong\u003e(3:43) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 4 January 1923 · Matrix: B 27372-1 · First issued on Victor 66186\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e11. \u003cstrong\u003eTOSELLI Serenata ‘Rimpianto’\u003c\/strong\u003e, Op. 6, No. 1 (2:34)\n\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 February 1923 · Matrix: B 26199-13 · First issued on Victor 66153\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e12. \u003cstrong\u003eGUSTAV LANGE Blumenlied, \u003c\/strong\u003eOp. 39 (4:24)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 7 January 1924 · Matrix: C 27373-4 · First issued on Victor 6454\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e13. \u003cstrong\u003eSARASATE Fantasy on Bizet’s \u003cem\u003eCarmen, \u003c\/em\u003e\u003c\/strong\u003eOp. 25\n(3:46) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 7 January 1924 · Matrix: C 29253-3 · First issued on Victor 6445\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e14. \u003cstrong\u003eTOBANI Hearts and Flowers\u003c\/strong\u003e, Op. 245 (4:37)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 27 March 1924 · Matrix: C 29254-10 · First issued on Victor 6454\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAlice Morini\u003c\/strong\u003e, piano (Tracks 1 – 3, 9 – 10)\u003cbr\u003e\u003cstrong\u003eEmanuel Balaban\u003c\/strong\u003e, piano (Tracks 4 – 8)\u003cbr\u003e\u003cstrong\u003eS\u003c\/strong\u003e\u003cstrong\u003eà\u003c\/strong\u003e\u003cstrong\u003endor Vas\u003c\/strong\u003e, piano (Track\n11)\u003cbr\u003e\u003cstrong\u003eKurt Hetzel\u003c\/strong\u003e, piano (Track 12)\u003cbr\u003e\u003cstrong\u003eOrchestra\/Unidentified Conductor\u003c\/strong\u003e (Track 13)\u003cbr\u003e\u003cstrong\u003eNathaniel Shilkret\u003c\/strong\u003e, piano (Track 14)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded in the Victor Studios, Camden, New Jersey (Tracks 1 – 13) and New\nYork (Track 14)\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003edisc two:  Electric Recordings (1941 \u0026amp; 1945)\n(70:09)\n\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eVIVALDI (arr. Respighi) Violin Sonata in D major, \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 18px;\"\u003eRV 10\u003cbr\u003e\u003c\/span\u003e1. 1st Mvt. – Moderato (2:12)\u003cbr\u003e2. 2nd Mvt. – Allegro moderato (2:22)\u003cbr\u003e3. 3rd Mvt. – Largo (1:29)\u003cbr\u003e4. 4th Mvt. – Vivace (2:31)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 8 December 1941 ∙ Matrices: CS 068393\/4 ∙ First issued on Victor\n11-8671\n\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e5. \u003cstrong\u003eWIENIAWSKI Romance \u003c\/strong\u003efrom Violin Concerto in D minor, Op.\n22\u003cstrong\u003e\u003c\/strong\u003e (4:23) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 8 December 1941 ∙ Matrix: CS 068392 ∙ First issued on Victor\n11-8761\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e6. \u003cstrong\u003eWIENIAWSKI Capriccio-Valse\u003c\/strong\u003e, Op. 7\u003cstrong\u003e\u003c\/strong\u003e (4:30)\n\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 7 November 1941 ∙ Matrix: CS 068172 ∙ First issued on Victor\n11-8761\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e7. \u003cstrong\u003eRAVEL (arr. Catherine) Pi\u003c\/strong\u003e\u003cstrong\u003eè\u003c\/strong\u003e\u003cstrong\u003ece\nen forme de Habenera\u003c\/strong\u003e (2:26) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 7 November 1941 ∙ Matrix: BS 068169-3 ∙ First issued on Victor\n10-1011\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e8. \u003cstrong\u003eSARASATE Waltz\u003c\/strong\u003e from Fantasy on Gounod’s \u003cem\u003eFaust\u003c\/em\u003e,\nOp. 13 (2:33) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 7 November 1941 ∙ Matrix: BS 068171-2 ∙ First issued on Victor\n10-1011\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e9.\n\u003cstrong\u003e\nBRAHMS (arr. Joachim) Hungarian Dance No. 17 in F-sharp minor\n\u003c\/strong\u003e\n(2:51) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 28 September 1945 ∙ Matrix: D5-RB-651 ∙ First issued on RCA Victor\n10-1213 in album M-1053\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n10.\n\u003cstrong\u003e\nBRAHMS (arr. Joachim) Hungarian Dance No. 6 in B-flat major\n\u003c\/strong\u003e\n(3:20) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 28 September 1945 ∙ Matrix: D5-RB-648 ∙ First issued on RCA Victor\n10-1213 in album M-1053\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n11. \u003cstrong\u003eBRAHMS (arr. Joachim) Hungarian Dance No. 5 in G minor\u003c\/strong\u003e\n(2:37) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 28 September 1945 ∙ Matrix: D5-RB-647 ∙ First issued on RCA Victor\n10-1214 in album M-1053\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n12. \u003cstrong\u003eBRAHMS (arr. Joachim) Hungarian Dance No. 7 in A major\u003c\/strong\u003e\n(2:10) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 25 September 1945 ∙ Matrix: D5-RB-649 ∙ First issued on RCA Victor\n10-1214 in album M-1053\u003c\/span\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n13. \u003cstrong\u003eBRAHMS (arr. Joachim) Hungarian Dance No. 8 in A minor\u003c\/strong\u003e\n(2:42) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 28 September 1945 ∙ Matrix: D5-RB-650 ∙ First issued on RCA Victor\n10-1215 in album M-1053\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n14. \u003cstrong\u003eBRAHMS (arr. Joachim) Hungarian Dance No. 1 in G minor\u003c\/strong\u003e\n(3:03) \u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 25 September 1945 ∙ Matrix: D5-RB-646 ∙ First issued on RCA Victor\n10-1215 in album M-1053\n\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eTCHAIKOVSKY Violin Concerto in D Major, \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 18px;\"\u003eOp. 35\u003cbr\u003e\u003c\/span\u003e15. 1st Mvt. – Allegro moderato (16:54)\u003cbr\u003e16. 2nd Mvt. – Canzonetta: Andante (6:02)\u003cbr\u003e17. 3rd Mvt. – Finale: Allegro vivacissimo (7:57)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 12 December 1945 ∙ Matrices: D5-RC-1646\/53 ∙ First issued on RCA\nVictor 11-9867\/70 in album M-1168\n\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMax Lanner\u003c\/strong\u003e, piano\u003cstrong\u003e\u003c\/strong\u003e (Tracks 1 – 8)\u003cbr\u003e\u003cstrong\u003eArtur Balsam\u003c\/strong\u003e, piano (Tracks 9 – 14)\u003cbr\u003e\u003cstrong\u003eChicago Symphony Orchestra\/D\u003c\/strong\u003e\u003cstrong\u003eé\u003c\/strong\u003e\u003cstrong\u003esir\u003c\/strong\u003e\u003cstrong\u003eé\u003c\/strong\u003e\n\u003cstrong\u003eDefauw\u003c\/strong\u003e conductor (Tracks 15 – 17)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded in RCA Studio No. 1, New York (Tracks 1 – 14) and Orchestra Hall,\nChicago (Tracks 15 – 17)\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 20px;\"\u003eErica Morini,\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 20px;\"\u003e violin\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\nProducer and Audio Restoration Engineer: Mark Obert-Thorn\u003cbr\u003eSpecial thanks to Jim Cartwright of Immortal Performances, Inc. for\nproviding the acoustic recordings\n\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTotal duration: 2hr 3:22\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PASC714.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PASC714.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Mono 16-bit FLAC","offer_id":44064713211994,"sku":"lst1789303908721","price":17.87,"currency_code":"USD","in_stock":true},{"title":"320kbps Mono MP3","offer_id":44064713244762,"sku":"hoq1789303908722","price":14.62,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/3807\/0874\/files\/erica-morini-the-complete-victor-recordings-1921-1945---pasc714_1.jpg?v=1789303915","url":"https:\/\/vestorawear.shop\/products\/erica-morini-the-complete-victor-recordings-1921-1945-pasc714","provider":"My Store","version":"1.0","type":"link"}