{"product_id":"goossens-cincinnati-symphony-vol-3-chabrier-grieg-respighi-r-strauss-1945-46-pasc712","title":"GOOSSENS Cincinnati Symphony, Vol. 3: Chabrier, Grieg, Respighi, R. Strauss (1945-46) - PASC712","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eGRIEG \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003ePeer Gynt – Suite No. 1\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eCHABRIER \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eJoyeuse Marche\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eR. STRAUSS\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003e (arr. Dorati)\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003e Suite from Der Rosenkavalier\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eRESPIGHI \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eFountains of Rome\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eRESPIGHI \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003ePines of Rome\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recordings, 1945-46\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 74:30\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eCincinatti Symphony Orchestra\u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eEugene Goossens\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC712.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\nThis volume is the last of three in a series presenting the complete\nrecordings of Eugene Goossens and the Cincinnati Symphony Orchestra.\nGoossens was born into a musical family in London in 1893. His Belgian\ngrandfather had been a conductor; his father, a violinist; his mother, an\nopera singer; and his siblings all noted instrumentalists (oboist Léon,\nharpists Sidonie and Marie and hornist Adolphe). After studying violin and\nplaying in various London orchestras and chamber ensembles, Goossens became\nan assistant to Beecham in 1916. By 1921, he had taken up conducting\nfull-time, forming his own orchestra, and making a particular specialty of\nnew music. In the same year, he gave the British concert première of\nStravinsky’s \u003cem\u003eThe Rite of Spring\u003c\/em\u003e.\n\u003c\/p\u003e\n\u003cp\u003e\nAt the invitation of George Eastman, Goossens served as music director of\nthe Rochester Philharmonic and taught at the Eastman School of Music from\n1923 to 1931, splitting his time between the USA and Britain, where he\ncontinued to conduct in the concert hall and at Covent Garden. He led the\nHollywood Bowl Orchestra frequently during his years in America, and made\nrecordings there in 1928. From 1931 through 1946, he headed the\nCincinnati Symphony before moving to Australia to conduct the Sydney\nSymphony (1947-56) and lead the New South Wales State Conservatorium of\nMusic, where among his students were Joan Sutherland and Richard Bonynge.\nHe was knighted in 1955; but his career suffered from a scandal the\nfollowing year which caused his return to the UK. He died in 1962.\n\u003c\/p\u003e\n\u003cp\u003e\nThe Cincinnati Symphony had already enjoyed an illustrious history before\nGoossens’ arrival. Its previous music directors had included Leopold\nStokowski (1909-12), violinist-turned-conductor Eugene Ysaÿe (1918-22) and\nFritz Reiner (1922-31). Although the ensemble had recorded acoustically\nunder Ernst Kunwald and Ysaÿe in 1917-19, they had not made any discs in\nover two decades until Goossens’ first sessions in February, 1941.\n\u003c\/p\u003e\n\u003cp\u003e\nThe program presented here comes from his last two recording dates with the\norchestra. Grieg’s incidental music to \u003cem\u003ePeer Gynt\u003c\/em\u003e must have been a\nfavorite of Goossens’, as he had already recorded the first suite twice before in London (1926 and 1937)\nbefore he set down this final version in Cincinnati. His interpretation is\nwarm, flowing and replete with characterful detail.The short, exuberant Chabrier march was issued as a filler side to\nGoossens’ recording of Stravinsky’s \u003cem\u003eLe Chant du rossignol\u003c\/em\u003e (reissued\non Volume 2 of this series, Pristine PASC 691).\n\u003c\/p\u003e\n\u003cp\u003e\nGoossens was perhaps the only conductor to have recorded Antal Doráti’s\narrangement of a suite from Richard Strauss’ \u003cem\u003eDer Rosenkavalier\u003c\/em\u003e\nother than Doráti himself, who recorded it three times. It contains the\nsame general selections from the opera in the same order as the\nnow-standard suite attributed to Artur Rodziński, but with some variations\nin the music bridging each section. One major difference is that Doráti\nmanaged to include the entire Introduction to Act 3 in his arrangement, which Goossens and his Cincinnatians dispatch with virtuosic gusto.\n\u003c\/p\u003e\n\u003cp\u003e\nDuring his last session in Cincinnati, Goossens recorded the first two tone\npoems of Respighi’s Roman Triptych. Most likely, they were originally\nintended to be issued together in a four-disc album. However, RCA Victor\ninitially only brought out \u003cem\u003ePines of Rome\u003c\/em\u003e a couple years after\nGoossens had left Cincinnati for Australia. The \u003cem\u003eFountains\u003c\/em\u003e remained\nunpublished for decades, briefly appearing in a limited-edition LP set.\nBoth scores show Goossens to be a master colorist. Goossens would go on to\nre-record \u003cem\u003eFountains\u003c\/em\u003e for a stereo HMV LP, and conclude the trilogy\nwith a \u003cem\u003eFeste Romane\u003c\/em\u003e on Everest.\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMark Obert-Thorn\u003c\/strong\u003e\n\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cb\u003eGOOSSENS \u003c\/b\u003eCincinnati Symphony, Vol. 3\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eGRIEG \u003c\/b\u003ePeer Gynt – Suite No. 1, Op. 46\u003c\/span\u003e\u003cbr\u003e1. 1. Morning Mood  (3:41)\u003cbr\u003e2. 2. The Death of Åse  (4:27)\u003cbr\u003e3. 3. Anitra's Dance  (3:14)\u003cbr\u003e4. 4. In the Hall of the Mountain King  (2:15)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eMatrices: D5-RC-665\/8 ∙ First issued on RCA Victor 11-8864\/5 in album SP-10\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e5. \u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eCHABRIER \u003c\/b\u003eJoyeuse Marche\u003c\/span\u003e   (4:12)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eMatrix: D5-RC-682 ∙ First issued on RCA Victor 11-9096 in album M-1041\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e6. \u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eR. STRAUSS\u003c\/b\u003e (arr. Doráti)  Suite from Der Rosenkavalier, Op. 59\u003c\/span\u003e   (23:45)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eMatrices: D5-RC-676\/81 ∙ First issued on Victor 11-8783\/5 in album M-997\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eRESPIGHI \u003c\/b\u003eFountains of Rome\u003c\/span\u003e\u003cbr\u003e7. 1. The Fountain of Valle Giulia at Dawn  (4:04)\u003cbr\u003e8. 2. The Triton Fountain in the Morning  (2:11)\u003cbr\u003e9. 3. The Trevi Fountain at Noon  (3:01)\u003cbr\u003e10. 4. The Villa Medici Fountain at Sunset  (5:18)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eMatrices: D6-RC-5143\/6 ∙ Unissued on 78 rpm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eRESPIGHI \u003c\/b\u003ePines of Rome\u003c\/span\u003e\u003cbr\u003e11. 1. The Pines of the Villa Borghese  (2:33)\u003cbr\u003e12. 2. Pines Near a Catacomb  (5:29)\u003cbr\u003e13. 3. The Pines of the Janiculum  (5:37)\u003cbr\u003e14. 4. The Pines of the Appian Way  (4:44)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eMatrices: D6-RC-5147\/50 ∙ First issued on RCA Victor 12-0941\/2 in album DM-1309\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eCincinnati Symphony Orchestra   \u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eEugene Goossens\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eProducer and Audio Restoration Engineer: Mark Obert-Thorn\u003cbr\u003eSpecial thanks to Nathan Brown and Charles Niss for providing source material\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eRecorded 25 February 1945 (Grieg, Chabrier, Strauss) and 14 February 1946 (Respighi) in the Cincinnati Music Hall, Cincinnati, Ohio\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTotal duration: 74:30\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PASC712.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PASC712.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Mono 16-bit FLAC","offer_id":44064704888922,"sku":"ymf1789303816472","price":8.42,"currency_code":"USD","in_stock":true},{"title":"320kbps Mono MP3","offer_id":44064704921690,"sku":"vyj1789303816473","price":6.37,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/3807\/0874\/files\/goossens-cincinnati-symphony-vol-3-chabrier-grieg-respighi-r-strauss-1945-46---p_1_aeca9a20-1345-4ede-985d-95bf3dca8d11.jpg?v=1789303823","url":"https:\/\/vestorawear.shop\/products\/goossens-cincinnati-symphony-vol-3-chabrier-grieg-respighi-r-strauss-1945-46-pasc712","provider":"My Store","version":"1.0","type":"link"}