{"product_id":"horenstein-conducts-seven-haydn-mozart-symphonies-1956-1960-pabx041","title":"HORENSTEIN conducts Seven Haydn \u0026 Mozart Symphonies (1956-1960) - PABX041","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eHAYDN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 100 'Military'\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eHAYDN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 101 'Clock'\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eHAYDN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 104 'London'\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 35 'Haffner'\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 38 'Prague'\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 39\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 41 'Jupiter'\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio \u0026amp; live recordings, 1956-1960\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eVienna Symphony Orchestra\u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eOrchestre Radio National de France\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eOrchestre de la Suisse Romande\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eJascha Horenstein\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC687.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cdiv class=\"pristine-boxset-track-listing--heading\"\u003eClick below to expand note:\u003c\/div\u003e\u003cdiv class=\"pristine-boxset-track-listing\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHORENSTEIN Haydn \u0026amp; Mozart Symphonies, Vol. 1 (1956\/57) - PASC676\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp\u003e\nExcluding the vocal works, this three-volume collection represents Jascha\nHorenstein’s entire post-war output of commercial as well as one broadcast\nrecording of music by Haydn and Mozart. These include Haydn symphonies 100\n(“Military”), 101 (“The Clock”) and 104 (“London”), and Mozart symphonies\n38 (“Prague”), 39 and 41 (“Jupiter”).\n\u003c\/p\u003e\n\u003cp\u003e\nDuring the early part of his career Horenstein’s favoured symphonies by\nHaydn were no. 82, “The Bear”, and no. 86, characteristically adventurous\nchoices for a period when the composer was better known by the later London\nsymphonies. He also made an early and greatly admired recording of no. 94,\n“Surprise” (PASC 506), a work he appears never to have conducted on any\nother occasion. Haydn’s 101 and 104 first appeared in his schedule when he\nrecorded them for Vox Records in 1957, and while the “Clock” symphony for a\ntime was a regular item in his concerts, he never did the “London” symphony\nagain. Later he added no. 100 and others to his repertoire but judging by\nthe number of times he performed them, his favourites were no. 82 “The\nBear” followed by no. 85 “La Reine”, though only the latter survives in an\noff-air recording and still awaits publication.\n\u003c\/p\u003e\n\u003cp\u003e\nAlthough he conducted the four popular Mozart operas, the symphonies and\nother works on multiple occasions, sometimes with great success,\nHorenstein’s only commercial recordings of Mozart, again excluding the\nvocal works, are those he made for Vox Records in Vienna during the\ncomposer’s bicentenary year in 1956. It is unclear why the G-minor no. 40\nwas not included in this project. Also preserved but still unpublished are\nseveral off-air recordings of the Mozart symphonies taken from live\nbroadcasts, including nos. 29, 31, 35, 39, and a fiery, agitated G-minor\nno. 40, by far his favourite of the canon judging by the number of times he\nconducted it.\n\u003c\/p\u003e\n\u003cp\u003e\nHorenstein’s approach to both Haydn and Mozart was anchored to its era but\neven during his time it aroused conflicting reactions. His Haydn was often\nconsidered “beautiful and spiritually satisfying”, while others thought his\n“wholly unconventional” performances made him “one of the finest Mozart\nconductors of our time”. But some took a strongly contrary view. His tempi\nwere considered problematic in repertoire from the Classical era, his\nperformances were dull, austere, unsmiling or pedantic with sluggish\nrhythms that lacked tension and drive, or the playing criticized as sloppy,\nsleepy or laboured. “He can’t handle Mozart”, wrote a critic in Berlin.\nBoth views accompanied him in this repertoire throughout his career.\n\u003c\/p\u003e\n\u003cp\u003e\nDeliberate of pace, majestic and thoughtful, Horenstein’s recordings of the\nHaydn symphonies seem to bring Beethoven to mind. They are today considered\nlarge-scale performances although in music of this type he invariably used\na reduced string section. This can be heard to great effect in the slow\nmovement of the “Clock” symphony where the first flute rings out\nexpressively over the violins, almost like a flute concerto. Horenstein’s\nforwardly placed woodwinds, reminiscent of Klemperer and with beneficial\neffect on colour, shading and tonal balance, can be heard to great\nadvantage in all the recordings of this series.\n\u003c\/p\u003e\n\u003cp\u003e\nMozart conducted by Horenstein is taut, serious and dramatic, with brisk,\nlively rhythms in the outer fast movements, lyrical, poetic and warm in the\nslow inner sections. As a general rule his Mozart can be characterized as\nstrong, virile and anti-romantic. Striking in the “Jupiter” is its\nlightness of touch, and the assertive energy and exuberance of the first\nmovement; the long lines of sighing strings in the melancholy \u003ci\u003eAndante\u003c\/i\u003e; the\ndancing, peasant-like lilt in the \u003ci\u003eMenuetto \u003c\/i\u003eand the exceptional clarity of\nline and texture in the contrapuntal \u003ci\u003eFinale\u003c\/i\u003e. Some attributes that\ndistinguish Horenstein’s style are inner energy and drive, forward motion,\nattention to detail within the phrase, grace and elegance and a general\nsense of purpose and aim.\n\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eMisha Horenstein\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003e HORENSTEIN Haydn \u0026amp; Mozart Symphonies, Vol. 2 (1956\/60) - PASC681\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp\u003e\nExcluding the vocal works, this collection represents Jascha Horenstein’s\nentire post-war output of commercial and some broadcast recordings of music\nby Haydn and Mozart. The first volume featured Haydn’s“Clock” and Mozart’s\n“Jupiter” symphonies, both restored from commercial recordings made\noriginally for Vox Records. This, the second volume, continues that series\nwith the “Prague” symphony but also includes live performances of two works\nHorenstein did not record commercially, Haydn’s “Military” and Mozart’s\n“Haffner”. Also preserved but still unpublished are several off-air and\nin-house recordings, including Haydn’s “La Reine” and “Clock” symphonies,\nand Mozart nos. 29, 31, 39 and 40, some of which will be included in future\nreleases.\n\u003c\/p\u003e\n\u003cp\u003e\nHorenstein’s approach to both Mozart and Haydn was anchored to its era but\neven during his time it aroused conflicting reactions. For some his “wholly\nunconventional” performances made him “one of the finest Mozart conductors\nof our time”, while his Haydn was often considered “beautiful and\nspiritually satisfying.” Others took a strongly contrary view, hearing\nperformances that were dull, austere, unsmiling or pedantic with sluggish\nrhythms that lacked tension and drive. Although much opprobrium was\ndirected at technical deficiencies in his recordings, contrary views of his\ninterpretations in this repertoire accompanied him throughout his career.\n\u003c\/p\u003e\n\u003cp\u003e\nJumpy and sharp-edged, Haydn’s “Military” symphony, taken from a public\nconcert in Paris in 1956, moves with lively tempos and strong forward\nmotion. Horenstein’s view of the work is similar to Beecham’s in\nexpressiveness but without the Englishman’s impish sophistication. He takes\ndelight in the percussive clatter and fanfares of the \"military\" passages\nin II and IV, played exuberantly with all the mock pomp and gusto intended\nby the composer. There is nothing dainty or muted about this Haydn. Some\nsubsidiary details are obscured by the limitations of the recording, taken\nfrom a radio broadcast. The master tapes are preserved in France’s\nAudiovisual Archive (INA).\n\u003c\/p\u003e\n\u003cp\u003e\nAccording to Mozart himself, the first movement of his D-major “Haffner”\nsymphony should be played “with fire”, an instruction abundantly evident\nthroughout Horenstein's fleet-footed, sharply defined performance. The\nouter movements, spirited, assertive and energetic with crisply defined\nrhythms and harmonies recalling Mozart’s demonic side, are played with\ngreat fervour and enthusiasm, and no repeats, by a clearly attentive and\nenergized Suisse Romande orchestra. The recording is taken from a radio\nbroadcast of master tapes held in the archives of Radio Suisse Romande.\n\u003c\/p\u003e\n\u003cp\u003e\nMozart conducted by Horenstein is taut, serious and dramatic in the outer\nfast movements, lyrical, poetic and warm in the slow inner sections. As a\ngeneral rule his Mozart can be characterized as strong, virile and\nanti-romantic. This is true for the “Prague” symphony, a studio recording\nmade in Vienna for Vox Records during Mozart’s bicentenary year. The\nperformance shows Horenstein to be a sympathetic Mozart interpreter. The\ncarefully constructed outer movements exhibit lively rhythms that are never\nslack, while the Andante is delicate, songful and expressive with great\ndepth of feeling. Some attributes that distinguish Horenstein’s style are\ninner energy and drive, forward motion, attention to detail within the\nphrase and a general sense of purpose and aim.\n\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eMisha Horenstein\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHORENSTEIN Haydn \u0026amp; Mozart Symphonies, Vol. 3 (1956\/57) - PASC687\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\u003cp\u003eThe present release is the third and final volume of a series devoted to Haydn and Mozart conducted by Jascha Horenstein. The collection covers all of his commercial recordings of the symphonies originally released on the Vox label during the 1950s, as well as two recordings taken from live broadcasts of works he did not record commercially. Previous releases in this series have featured the  “Clock” and “Military” symphonies by Haydn, and Mozart’s “Haffner”, “Prague” and “Jupiter” symphonies. \u003cbr\u003e\u003cbr\u003eMozart's Symphony No. 39 was recorded as part of the composer’s bicentenary during a busy two week period for Horenstein in Vienna and followed the signing of his second contract for Vox Records on February 1st 1956. The contract stipulated a minimum of five recordings per year, an obligation quickly fulfilled over the next ten days that resulted in recordings of three Mozart symphonies, Beethoven’s Fifth and Ninth, the latter for a long time Horenstein’s best selling LP, Mozart’s \u003ci\u003eRequiem \u003c\/i\u003eand a couple of Beethoven overtures, and one can only regret that stereo was not an option at that time. According to one source \u003ci\u003eEine Kleine Nachtmusik\u003c\/i\u003e was also recorded but this remains a rumour. \u003cbr\u003e\u003cbr\u003eThe Haydn symphonies were recorded in April 1957 if current research is accurate, and are among Horenstein’s first in stereo. Often the subject of severe criticism, Vox’s engineering of its two Haydn symphonies in this series was more successful than previous efforts and benefits noticeably from Pristine’s restoration, which despite the heavy studio resonance endows the orchestra with a full, rich and enveloping sound. \u003cbr\u003e\u003cbr\u003eHorenstein’s approach to both Mozart and Haydn was anchored to its era but even during his time it aroused conflicting reactions. For some his “wholly unconventional” performances made him “one of the finest Mozart conductors of our time”, while his Haydn was often considered “beautiful and spiritually satisfying.” Others took a strongly contrary view, hearing performances that were austere, unsmiling or pedantic with sluggish rhythms that lacked tension and drive. Both views accompanied him in this repertoire throughout his career.\u003cbr\u003e\u003cbr\u003eHaydn’s “London” Symphony conducted by Horenstein is gravitas personified. Serious and stately, it is strong of profile and deliberate of pace, weighty but never slack, no matter how slow the beat, and with a strong sense of forward motion. The regal opening \u003ci\u003eAdagio \u003c\/i\u003eof the first movement determines the relaxed tempo of the ensuing \u003ci\u003eAllegro\u003c\/i\u003e, which appears to lack forward drive until one realizes that Horenstein views it as a prelude, an introduction to the more elaborate second movement. He clearly views the \u003ci\u003eAndante \u003c\/i\u003eas the emotional center of the work and exploits its darker harmonies and turbulences to dramatic effect. The third movement, a courtly dance in distorted form, stays flat-footed, rustic and rough around the edges as intended. The finale, whose crisp and constant rhythms come as something of a relief, provide Horenstein with additional opportunities to emphasize the darker sides of Haydn’s drama. The forward placing of the woodwinds and comfortable tempi throughout are characteristic of Horenstein’s approach in this repertoire, allowing the musicians of the Vienna Symphony Orchestra ample opportunity to shine as well as conferring transparency and openness to the orchestral textures.  \u003cbr\u003e\u003cbr\u003eMozart conducted by Horenstein is taut, serious and dramatic in the outer fast movements, lyrical, poetic, reflective and warm in the slow inner sections. As a general rule his Mozart can be characterized as strong, virile and anti-romantic. This is true of the E-flat Symphony, a recording that shows Horenstein’s sympathy as a Mozart interpreter. His carefully constructed outer movements exhibit lively rhythms that are slow but never sluggish, the \u003ci\u003eAndante \u003c\/i\u003eis delicate, songful and expressive with great depth of feeling and the \u003ci\u003eMinuet \u003c\/i\u003eforceful, rustic and boisterous. Some attributes that distinguish Horenstein’s style are inner energy and drive, forward motion, attention to detail within the phrase and a general sense of purpose and aim. \u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eMisha Horenstein\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cdiv class=\"pristine-boxset-track-listing--heading\"\u003eClick below to expand track listing:\u003c\/div\u003e\u003cdiv class=\"pristine-boxset-track-listing\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHORENSTEIN Haydn \u0026amp; Mozart Symphonies, Vol. 1 (1956\/57) - PASC676\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cb\u003eHORENSTEIN \u003c\/b\u003eHaydn \u0026amp; Mozart Symphonies, Vol. 1\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eSymphony No.101 in D major, Hob.I:101, \"Clock\" \u003c\/span\u003e\u003cbr\u003e1. 1st mvt. - Adagio - Presto  (7:15)\u003cbr\u003e2. 2nd mvt. - Andante  (8:06)\u003cbr\u003e3. 3rd mvt. - Minuet - Trio. Allegretto  (8:24)\u003cbr\u003e4. 4th mvt. - Finale. Vivace  (5:24)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded in stereo 27-29 April, 1957\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio C, Konzerthaus, Vienna\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eMOZART \u003c\/b\u003eSymphony No. 41 in C major, K. 551, \"Jupiter\" \u003c\/span\u003e\u003cbr\u003e5. 1st mvt. - Allegro vivace  (7:37)\u003cbr\u003e6. 2nd mvt. - Andante cantabile  (8:48)\u003cbr\u003e7. 3rd mvt. - Menuetto: Allegretto  (4:41)\u003cbr\u003e8. 4th mvt. - Molto allegro  (6:39)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded in mono 3 \u0026amp; 4 February 1956\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eBrahmssaal, Vienna\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003ePresented in Ambient Stereo\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eVienna Symphony Orchestra\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003econducted by \u003cb\u003eJascha Horenstein\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eXR Remastered by Andrew Rose\u003cbr\u003eCover artwork based on a photograph of Jascha Horenstein\u003cbr\u003eSource recordings from the collection of Misha Horenstein \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTotal duration:  56:54 \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003e HORENSTEIN Haydn \u0026amp; Mozart Symphonies, Vol. 2 (1956\/60) - PASC681\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cb\u003eHORENSTEIN \u003c\/b\u003eHaydn \u0026amp; Mozart Symphonies, Vol. 2\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eHAYDN\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003e Symphony No.100 in G major, Hob.I:100, \"Military\" \u003c\/span\u003e\u003cbr\u003e1. 1st mvt. - Adagio - Allegro  (6:43)\u003cbr\u003e2. 2nd mvt. - Allegretto  (6:01)\u003cbr\u003e3. 3rd mvt. - Minuet - Trio. Moderato  (5:33)\u003cbr\u003e4. 4th mvt. - Finale. Presto  (4:47)\u003cbr\u003e\u003cb\u003eOrchestre Radio National de France \u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded live, 22 November 1956, Théâtre des Champs-Elysees, Paris\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eMOZART \u003c\/b\u003eSymphony No. 35 in D major, K. 385, \"Haffner\" \u003c\/span\u003e\u003cbr\u003e5. 1st mvt. - Allegro con spirito  (5:15)\u003cbr\u003e6. 2nd mvt. - Andante  (4:24)\u003cbr\u003e7. 3rd mvt. - Menuetto  (2:59)\u003cbr\u003e8. 4th mvt. - Presto  (3:51)\u003cbr\u003e\u003cb\u003eOrchestre de la Suisse Romande \u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded live, 30 November 1960, Palais de Beaulieu, Lausanne\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eMOZART \u003c\/b\u003eSymphony No. 38 in D major, K. 504, \"Prague\" \u003c\/span\u003e\u003cbr\u003e9. 1st mvt. - Adagio - Allegro  (10:45)\u003cbr\u003e10. 2nd mvt. - Andante  (9:21)\u003cbr\u003e11. 3rd mvt. - Presto  (5:46)\u003cbr\u003e\u003cb\u003eVienna Symphony Orchestra\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recording, 3-4 February 1956, Brahmssaal, Vienna\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eJascha Horenstein\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eXR Remastered by Andrew Rose\u003cbr\u003e\u003cbr\u003eCover artwork based on a photograph of Jascha Horenstein\u003cbr\u003eSource recordings from the collection of Misha Horenstein \u003cbr\u003e\u003cbr\u003e\u003cb\u003eTotal duration:  65:25 \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item\"\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--heading\"\u003eHORENSTEIN Haydn \u0026amp; Mozart Symphonies, Vol. 3 (1956\/57) - PASC687\u003c\/div\u003e\n\u003cdiv class=\"pristine-boxset-track-listing--item--content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cb\u003eHORENSTEIN \u003c\/b\u003eHaydn \u0026amp; Mozart Symphonies, Vol. 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eHAYDN \u003c\/b\u003eSymphony No. 104 in D major, Hob.I:104, 'London'\u003c\/span\u003e\u003cbr\u003e1. 1st mvt. - Adagio - Allegro  (9:23)\u003cbr\u003e2. 2nd mvt. - Andante  (8:46)\u003cbr\u003e3. 3rd mvt. - Minuet. Allegro - Trio  (5:53)\u003cbr\u003e4. 4th mvt. - Finale. Spiritoso  (5:32)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded in stereo, 27-29 April, 1957, Studio C, Konzerthaus. Vienna\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eMOZART \u003c\/b\u003eSymphony No. 39 in E-flat major, K.543\u003c\/span\u003e\u003cbr\u003e5. 1st mvt. - Adagio - Allegro  (9:33)\u003cbr\u003e6. 2nd mvt. - Andante con moto  (9:47)\u003cbr\u003e7. 3rd mvt. - Menuetto e Trio  (4:08)\u003cbr\u003e8. 4th mvt. - Allegro  (4:13)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 3-4 February, 1956, Brahmssaal, Vienna\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003ePresented in Ambient Stereo\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eVienna Symphony Orchestra\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eJascha Horenstein\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eXR Remastered by Andrew Rose\u003cbr\u003eCover artwork based on a photograph of Jascha Horenstein\u003cbr\u003eSource recordings from the collection of Misha Horenstein \u003cbr\u003e\u003cbr\u003eTotal duration:  57:15\u003cspan style=\"font-size: 24px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Stereo \u0026 Ambient Stereo 24-bit FLAC","offer_id":44064700334170,"sku":"pvx1789303643027","price":39.54,"currency_code":"USD","in_stock":true},{"title":"Stereo \u0026 Ambient Stereo 16-bit FLAC","offer_id":44064700366938,"sku":"qrc1789303643028","price":30.63,"currency_code":"USD","in_stock":true},{"title":"320kbps Stereo \u0026 Ambient Stereo MP3","offer_id":44064700399706,"sku":"xal1789303643029","price":24.12,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/3807\/0874\/files\/horenstein-conducts-seven-haydn-mozart-symphonies-1956-1960---pabx041_1.jpg?v=1789303649","url":"https:\/\/vestorawear.shop\/products\/horenstein-conducts-seven-haydn-mozart-symphonies-1956-1960-pabx041","provider":"My Store","version":"1.0","type":"link"}