{"product_id":"lener-quartet-plays-haydn-mozart-1923-35-pacm128","title":"LÉNER QUARTET plays Haydn \u0026 Mozart (1923-35) - PACM128","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eHAYDN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet No. 5, 'Serenade'\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eHAYDN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet No. 53, 'The Lark'\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eHAYDN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet No. 61, 'Fifths'\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eHAYDN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet No. 62, 'Emperor'\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eHAYDN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet No. 64\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet No. 14, 'Spring'\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet No. 15\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recordings, 1923-1935\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 2hr 29:13\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eLéner String Quartet\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 16px;\"\u003eJenő Léner (violin I)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 16px;\"\u003eJosef Smilovits (violin II)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 16px;\"\u003eSándor Róth (viola)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 16px;\"\u003eImre Hartman (cello)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5fFanfare Review578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5fMark Obert-Thorn’s restorations are marvelous578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f\u003cp\u003ePristine continues its admirable series of restorations of recordings by the Léner String Quartet, one of the most important chamber ensembles in the dawn of the age of recordings. It was formed in 1918 and lasted until 1942. That year a rift occurred between founder Jenö Léner and the other three members, leading to the formation of two rival groups until 1947, when it all ended. They were the principal competition to the Budapest Quartet, and Léner was given the honor of making the first complete recorded cycle of the Beethoven quartets.\u003c\/p\u003e\u003cp\u003eThe Léner began making records before the dawn of electrical recording, and then remade some of the material in electrical versions. This two-disc set contains all of the Léner’s Haydn recordings and the first installment of what will ultimately include all their Mozart.\u003c\/p\u003e\u003cp\u003eThe Léner’s style is very out of fashion these days and was already considered somewhat old-fashioned at the time The Budapest Quartet was offering more modern performances. The Léner Quartet applies considerable rubato and portamento in its phrasing. Besides sounding outdated today, to those whose tastes have been formed by HIP standards the style will seem inauthentic. But this was an acceptable performance style in the first part of the 20th century, and if you allow yourself to enter its world, you might just find it appealing.\u003c\/p\u003e\u003cp\u003eOne issue that cannot be overlooked, however, is that first violinist Léner’s sound could turn wiry, and his intonation was less than perfect. I don’t find this a major detriment to my enjoyment, but it does require a bit of tolerance. In addition, his playing of the violin solo in Haydn’s “Serenade” Quartet, op. 76\/5 is likely to strike even the most tolerant listener as too romanticized, even soppy. I will confess that I found it a guilty pleasure despite Léner’s taffy-pull approach to rubato and his pronounced vibrato.\u003c\/p\u003e\u003cp\u003eThat movement aside, the freedom of the performances is held within bounds, and if you are sympathetic, it is truly touching. The playing is at its most exquisite in the slow movement of Mozart’s “Spring” Quartet, where the careful balancing of voices and delicate tempo adjustments make you catch your breath.\u003c\/p\u003e\u003cp\u003eHaydn’s “Lark” Quartet was not recorded in its entirety by the Léners. The second and fourth movements were recorded acoustically in 1923, and the Menuetto electrically in 1928. Quartet No. 61 was recorded at the tail end of the acoustical era (March, 1925). In 1935 the Léner rerecorded just the second movement as a filler disc for the “Emperor” Quartet. Pristine appends this as an extra track after the complete acoustical recording. The rest of the collection is entirely electrical.\u003c\/p\u003e\u003cp\u003eI’ve encouraged looking at this release as a window into a very different world. However, to view this as merely a historical exercise would be to miss the point. This is deeply felt, noble music-making whose value does not diminish with age.\u003c\/p\u003e\u003cp\u003eMark Obert-Thorn’s restorations are marvelous. The richness of sound in the acoustical recordings is amazing. Pristine makes full scores available from their website, and the recordings are available as downloads or in a two-CD set with excellent notes.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eHenry Fogel\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eFanfare\u003c\/i\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PACM128.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\nThe present volume is the sixth in a series whose goal is to reissue all of\nthe Léner Quartet’s electrical recordings along with the acoustic\nrecordings they never remade, ultimately presenting their complete recorded\nrepertoire. This release contains all the Haydn works they recorded,\nincluding two particularly rare acoustics which were never re-done\nelectrically. The set is filled out with the first installment of the\ngroup’s Mozart recordings.\n\u003c\/p\u003e\n\u003cp\u003e\nFor the past half century, Haydn’s Op. 3 has generally been thought to be\nthe work of Romanus Hoffstetter; but the story is complicated by Haydn’s\ninclusion of these quartets among his own for publication, as well as more\nrecent studies that conclude Hoffstetter may have composed only the first\ntwo of the six in the series. Regardless of authorship, Op. 3, No. 5\nremains one of the most popular of the string quartet literature, primarily\ndue to its second movement. The Léners present it as though it were an\nardent guitar-accompanied serenade from a lover to his lady in a\nperformance which is remarkable in its rhythmic freedom.\n\u003c\/p\u003e\n\u003cp\u003e\nThe Léners never made a complete recording of Haydn’s “Lark” Quartet; but a\nthree-quarters version has been assembled here from two sides of an\nacoustic single disc made in 1923 and an electric set down five years\nlater. (It must have been a jinx for string quartets of the time, as the\nFlonzaleys recorded the work complete in the latter year only for it to\nremain unissued until a 1970s LP release.) The Menuetto was, oddly, issued\nas the filler sider for the Léners’ set of the Debussy Quartet, while the\nacoustic disc is one of their rarest releases.\n\u003c\/p\u003e\n\u003cp\u003e\nElectrical recording was already well underway at Columbia’s American\naffiliate when the next quartet on our program was set down; but English\nColumbia did not begin to record using the new technology until the fall of\n1925. As a result, the Léner’s Haydn Op. 76, No. 2 was already sonically\nobsolete when it was released in May 1926. It only remained in the catalog\nfor a year and a half, and became their rarest album. When a chance arose\nto record a filler side for Haydn’s “Emperor” Quartet in 1935, they\nreturned to the Andante of Op. 76, No. 2 in the version heard here after\nthe complete recording.\n\u003c\/p\u003e\n\u003cp\u003e\nTo fill out our program, it seemed appropriate to include the Léners’\nrecordings of the first two quartets dedicated to Haydn by Mozart. The D\nminor quartet was one of the ensemble’s earliest electrical recordings.\nIts original release was marred by thin sound, obtrusive swish on several\nsides and recurrent low frequency resonance from the early carbon\nmicrophones, all of which has been addressed in the present restoration.\nAgain, the group had an opportunity to re-record one of the movements years\nlater in better sound (the Andante in 1932, for their entry in the Columbia\nHistory of Music series). Timing restrictions have not permitted its\ninclusion here, but it will appear in a later volume as our coverage of the\nLéners’ Mozart recordings continue.\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMark Obert-Thorn\u003c\/strong\u003e\n\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\n\u003cstrong\u003e\n\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cb\u003eLÉNER QUARTET\u003c\/b\u003e plays Haydn \u0026amp; Mozart\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eCD 1\n(76:02)\n\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eHAYDN\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 18px;\"\u003e String Quartet No. 5 in F major, Op. 3, No. 5,\n“Serenade”, \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003eHob.III:17\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e1. 1st Mvt. – Presto (4:21)\u003cbr\u003e2. 2nd Mvt. – Andante cantabile (4:30)\u003cbr\u003e3. 3rd Mvt. – Menuetto (3:17)\u003cbr\u003e4. 4th Mvt. – Scherzando (3:01)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 7 December 1928\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eMatrix nos.: WAX 4433-2, 4434-1, 4435-2, 4436-3\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eFirst issued as Columbia 9658\/9\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eHAYDN \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet No. 53 in D major, Op. 64, No. 5, “The\nLark”, \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003eHob.III:63\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e5. 2nd Mvt. – Adagio cantabile (4:36)\u003cbr\u003e6. 3rd Mvt. – Menuetto: Allegro (3:31)*\u003cbr\u003e7. 4th Mvt. – Finale: Vivace (2:07)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 26 September 1923 and *15 March 1928\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eMatrix nos.: AX 151-2, *WAX 3385-1 \u0026amp; AX 165-3\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eFirst issued as Columbia L 1574 \u0026amp; *L 2144\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eHAYDN \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet No. 61 in D minor, Op. 76, No. 2,\n“Fifths”, \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003eHob.III:76\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e8. 1st Mvt. – Allegro (7:33)\u003cbr\u003e9. 2nd Mvt. – Andante di molto più tosto allegretto (4:36)\u003cbr\u003e10. 3rd Mvt. – Menuetto. Allegro non troppo (3:51)\u003cbr\u003e11. 4th Mvt. –Vivace assai (3:54)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 9-10 March 1925\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eMatrix nos.: AX 916-2, 917-1, 918-1, 919-2 \u0026amp; 924-1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eFirst issued as Columbia L 1740\/2\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e12. 2nd Mvt. – Andante di molto più tosto allegretto (4:50)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 10 March 1935\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eMatrix nos.: CAX 7469-1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eFirst issued as Columbia LX 454\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eHAYDN\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 18px;\"\u003e String Quartet No. 62 in C major, Op. 76, No. 3,\n“Emperor”, \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003eHob.III:77\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e13. 1st Mvt. – Allegro (7:00)\u003cbr\u003e14. 2nd Mvt. – Un poco adagio; cantabile (9:51)\u003cbr\u003e15. 3rd Mvt. – Menuetto. Allegro (4:47)\u003cbr\u003e16. 4th Mvt. –Finale. Presto (4:17)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 10 \u0026amp; 23 March 1935\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eMatrix nos.: CAX 7462-2, 7463-6, 7464-1, 7465-1, 7466-1, 7467-1 \u0026amp;\n7468-1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eFirst issued as Columbia LX 451\/4\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\n\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 2\n(73:11)\n\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eHAYDN \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet No. 64 in D major, Op. 76, No. 5, \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 18px;\"\u003e\nHob.III:79\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e1. 1st Mvt. – Allegretto (5:35)\u003cbr\u003e2. 2nd Mvt. – Largo. Cantabile e mesto (7:43)\u003cbr\u003e3. 3rd Mvt. – Menuetto. Allegro (3:17)\u003cbr\u003e4. 4th Mvt. – Finale. Presto (3:47)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 7 November 1928\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eMatrix nos.: WAX 4261-2, 4262-2, 4263-4, 4282-1, 4283-1 \u0026amp; 4288-2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eFirst issued as Columbia L 2257\/9\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet No. 14 in G major, K.387, “Spring”\u003cbr\u003e\u003c\/span\u003e5. 1st Mvt. – Allegro vivace assai (6:11)\u003cbr\u003e6. 2nd Mvt. – Menuetto. Allegro (7:32)\u003cbr\u003e7. 3rd Mvt. – Andante cantabile (8:42)\u003cbr\u003e8. 4th Mvt. – Molto allegro (7:51)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 20-21 January 1930\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eMatrix nos.: WAX 4713-3, 4714-4, 4715-3, 4716-3, 4717-3, 4718-3, 4719-4\nand 4720-4\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eFirst issued as Columbia LX 24\/7\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 18px;\"\u003eString Quartet No. 15 in D minor, K.421\u003cbr\u003e\u003c\/span\u003e9. 1st Mvt. – Allegro moderato (5:22)\u003cbr\u003e10. 2nd Mvt. – Andante (6:18)\u003cbr\u003e11. 3rd Mvt. – Menuetto. Allegretto (4:06)\u003cbr\u003e12. 4th Mvt. – Allegretto ma non troppo – Più allegro (6:48)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 27 and 29 March 1926\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eMatrix nos.: WAX 1375-2, 1376-2, 1377-3, 1378-3, 1379-3 and 1380-2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eFirst issued as Columbia L 1965\/7\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eLéner String Quartet\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 18px;\"\u003eJenő Léner (violin I)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003eJosef Smilovits (violin II)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003eSándor Róth (viola)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003eImre Hartman (cello)\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRecording venues\u003c\/strong\u003e (all in London): Clerkenwell Road Studio\n(1923, 1925); Petty France Studio (1926, 1928 and 1930); Abbey Road Studio\nNo. 3 (1935)\u003cbr\u003eProducer and Audio Restoration Engineer: Mark Obert-Thorn\u003cbr\u003eSpecial thanks to the British Library, Nathan Brown, Richard Kaplan,\nCharles Niss and David Schmutz for providing source material\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cb\u003eTotal duration: 2hr 29:13\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PACM128.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PACM128.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Mono 16-bit FLAC","offer_id":44064764067930,"sku":"itr1789304422439","price":20.17,"currency_code":"USD","in_stock":true},{"title":"320kbps Mono MP3","offer_id":44064764100698,"sku":"yub1789304422440","price":13.37,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/3807\/0874\/files\/lener-quartet-plays-haydn-mozart-1923-35---pacm128_1.jpg?v=1789304429","url":"https:\/\/vestorawear.shop\/products\/lener-quartet-plays-haydn-mozart-1923-35-pacm128","provider":"My Store","version":"1.0","type":"link"}