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MOZART Quartet No. 16 in E flat, K.428
Recorded 24 April 1935, Raum VII (Lützowstraße 76), Berlin
Duration 33'26"
Hans Munch-Holland, cello
Carl Eugen Korner, viola
Will Smit, violin
Walter Prisca, violin
578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples/PACM017.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5fMozart's third "Haydn Quartet" in a rare 1935 recording
Remastered for finest sound quality
Mozart's string quartets were surprisingly neglected during the 78rpm
era, and it was astonishing to find that this masterpiece from his
series of six quartets dedicated to Haydn received almost no attention
whatsoever. We managed to trace a 1912 recording of the third movement,
and a later US recording (by the Busch Quartet) of the full work, but
this rare use appears to be the first attempt to make available
commercially Mozart's 16th String Quartet.
The plot thickens when
we try to find out more about the quartet and this recording, probably
due to its heritage. An authoritative guide to British 78rpm releases
states that Decca released no material in collaboration with the German
Polydor label between 1933 and 1941, yet these discs are all stamped
with the German mechanical copyright imprint, dated 1935, and it was
from this alone that we were originally able to date the recording.
Of
the Prisca Quartet, we know of Hans Munch-Holland from his involvement
with Max Strub and the Strub Quartet - in particular his contribution to
their recording of the Bruckner Quintet, remastered and reissued by
Pristine Audio as PACM006. The Prisca Quartet also recorded Mozart's
20th Quartet, K.499, as well as works by Haydn and Schubert, and the
Bruckner Quintet with S. Meineke. We've also found mention of a
recording of Verdi's Quartet in E minor.
Beyond that the trail
runs dry thus far. What I can say is that this is one of Mozart's finest
quartets, the playing and recording are both superb here, and those
with a sharp ear will note the homage Mozart plays in the third movement
to Haydn, basing his Minuet very closely indeed to the Scherzo in
Haydn's Quartet in E flat major, Op.33 No.2 ("Joke"), as released on
Pristine Audio's PACM013, The Haydn Quartet Society, Volume Three.
Andrew Rose
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MOZART Quartet No. 16 in E flat, K.428
Recorded 24 April 1935, Raum VII (Lützowstraße 76), Berlin
Issued in the UK as Decca "Polydor" Series DE.7036-DE.7039
Matrix numbers: 2637gn, 2638½gn, 2639½gn, 2640gn, 2641½gn, 2642½gn, 2643½gn, 2644½gn.
(Duration 33'26")
Walter Prisca, violin
Will Smit, violin
Carl Eugen Korner, viola
Hans Munch-Holland, cello
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