{"product_id":"szigeti-the-european-columbia-recordings-volume-1-1927-37-pasc621","title":"SZIGETI The European Columbia Recordings, Volume 1 (1927-37) - PASC621","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBACH \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Sonatas 1 \u0026amp; 2\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBACH \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eConcerto for Two Violins\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eHANDEL \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Sonata No. 4\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eTARTINI \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Sonata in G\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eTARTINI \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Concerto in D minor\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Sonata No. 21\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Concerto No. 4\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003eshort works by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBACH, EXAUDET, TARTINI, VERACINI\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recordings, 1927-37\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration:  2hr 19:10\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eJoseph Szigeti,\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e violin\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eCarl Flesch, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003eviolin\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eNikita Magaloff\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano \u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eKurt Ruhrseitz\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano \u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eWalter Goehr ∙ Orchestra\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eSir Thomas Beecham ∙ London Philharmonic Orchestra\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC621.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\n\nJoseph Szigeti was born in Budapest in 1892. After showing promise on\nthe violin at a very young age, he was accepted as a student by Jenő\nHubay and made his Berlin debut at thirteen. Shortly thereafter, he\nsettled in England for several years. It was during this period that he\nmet Ferruccio Busoni, who was to become a major influence in moving the\nyoung prodigy from being merely a talented virtuoso toward becoming a\nmore intellectual and analytical musician.\n\n\u003c\/p\u003e\n\u003cp\u003e\nA stay in a Swiss sanatorium in 1913 to treat his tuberculosis introduced\nSzigeti to a fellow Hungarian who was to become another major influence on\nhim as a musician and a lifelong friend, Béla Bartók. Szigeti remained in\nSwitzerland for several years, teaching and expanding his facility in\nplaying chamber works. In 1925, he played for a visiting Leopold Stokowski,\nand was quickly invited to make his American debut. He shortly became\nestablished internationally as a concert artist. He settled in the USA in\n1940, and continued his concert career for another twenty years before\nretiring to write and teach. He died in 1973.\n\u003c\/p\u003e\n\u003cp\u003e\nSzigeti’s earliest recordings were made in England for the Gramophone and\nTypewriter Company between 1908 and 1913. He made no further discs during\nthe acoustic era, save for a handful recorded in Russia in either 1924 or\n1926. In the latter year, he began an association with English Columbia\nthat lasted for eleven years, with one session for their Japanese affiliate\nin 1931 that produced four sides. In 1938, he began recording for American\nColumbia, where he remained until 1956, with one set (the Bloch Concerto)\ndone for French Columbia in 1939, a single disc made for the American New\nMusic Quarterly label in 1941, and a return to English Columbia for four\nsides in 1946-47. His final recordings were made for Mercury in 1959-61.\n\u003c\/p\u003e\n\u003cp\u003e\nThis series will present all of the Columbia recordings he made in Britain,\nFrance and Japan, as well as the one New Music Quarterly disc, as a\ncomplement to Sony’s upcoming set comprising his American Columbia\nrecordings. From the 1940s onward, Szigeti began to experience increasing\ntechnical problems. American Columbia passed on releasing his 1955-56\nrecordings of Bach Sonatas and Partitas as well as several contemporaneous\nLPs’ worth of Mozart Sonatas, which were only issued later by Vanguard.\nSzigeti himself ruefully referred to his final Mercury LPs as his\n“posthumous recordings”. The performances featured here and in the coming\nvolumes are generally judged to be his finest on disc.\n\u003c\/p\u003e\n\u003cp\u003e\nOur first volume focuses on Baroque and Classical repertoire. Among the\nworks he recorded at his very first session in 1908 had been the Preludio\nfrom Bach’s Partita No 3; and Szigeti continued to champion the composer\nand contemporaries like Handel and Tartini throughout his career. After the\ntwo Bach Sonatas presented here, he recorded the Third Sonata for American\nColumbia in 1949; but only excerpts from the Partitas appeared on disc\nbefore his late LP set of the complete Sonatas and Partitas. Szigeti\nrecorded remakes of the Handel Sonata as well as the Tartini Sonata and\nConcerto in 1954, and re-recorded the Mozart Sonata with Horszowski the\nfollowing year. The LP remakes feature broader tempos, a wider vibrato and\nmore problematic intonation than the earlier 78s.\n\u003c\/p\u003e\n\u003cp\u003e\nThe Bach Double Concerto was recorded with Szigeti’s elder Hungarian\ncompatriot, Carl Flesch (1873-1944), who was esteemed as both a violinist\nand pedagogue. The Mozart Concerto was the first of three classic disc\ncollaborations with Sir Thomas Beecham. Szigeti would return to neither of\nthese works later in his recording career, so their presence here is doubly\nvaluable.\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMark Obert-Thorn\u003c\/strong\u003e\n\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 24px;\"\u003eJOSEPH SZIGETI\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 24px;\"\u003e The European Columbia Recordings, Volume 1\u003c\/span\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eCD 1 (73:13)\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\n\u003cstrong\u003eJ. S. BACH Violin Sonata No. 1 in G minor, BWV1001\u003c\/strong\u003e\u003cbr\u003e1. 1st Mvt. – Adagio (4:37)\u003cbr\u003e2. 2nd Mvt. – Fuga: Allegro (5:17)\u003cbr\u003e3. 3rd Mvt. – Siciliana (4:24)\u003cbr\u003e4. 4th Mvt. – Presto (2:26)\u003cspan style=\"font-size: 12px;\"\u003e\u003cbr\u003eRecorded 2 February 1931 in the Columbia Petty France Studio, London ∙\nMatrices: WAX 5958-1, 5959-1, 5960-3 \u0026amp; 5961-2 ∙ First issued on\nColumbia LX 127\/8\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eJ. S. BACH Violin Sonata No. 2 in A minor, BWV1003\u003c\/strong\u003e\u003cbr\u003e5. 1st Mvt. – Grave (4:58)\u003cbr\u003e6. 2nd Mvt. – Fuga (7:17)\u003cbr\u003e7. 3rd Mvt. – Andante (3:19)\u003cbr\u003e8. 4th Mvt. – Allegro (2:29)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 2 June 1933 in Abbey Road Studio No. 3, London ∙ Matrices: CAX\n6855-1, 6856-1, 6857-2 \u0026amp; 6858-1 ∙ First issued on Columbia LX 259\/60\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e9. \u003cstrong\u003eJ. S. BACH Bourée \u003c\/strong\u003efrom Violin Partita No. 1 in B minor,\nBWV1002\u003cstrong\u003e \u003c\/strong\u003e(2:40)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 1 July 1927 in the Columbia Petty France Studio, London ∙ Matrix:\nWA 5807 ∙ First issued on Columbia D 1633\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e10. \u003cstrong\u003eJ. S. BACH Gavotte \u003c\/strong\u003efrom Violin Partita No. 3 in B\nminor, BWV1006 (3:09)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 18th or 19 June 1931 in Tokyo ∙ Matrix: NE 35244 ∙ First issued on\nColumbia J 5169\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e11. \u003cstrong\u003eJ. S. BACH (arr. Szigeti) Arioso \u003c\/strong\u003efrom Cantata No. 156, BWV156 (Sinfonia) (3:45)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 December 1937 in Abbey Road Studio No. 1, London ∙ Matrix: CAX\n8133-2 ∙ First issued on Columbia LX 711\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eJ. S. BACH Concerto in D minor for Two Violins, BWV1043\u003c\/strong\u003e\u003cbr\u003e12. 1st Mvt. – Vivace (3:59)\u003cbr\u003e13. 2nd Mvt. – Largo ma non tanto (6:58)\u003cbr\u003e14. 3rd Mvt. – Allegro (4:48)\u003cstrong\u003e\u003cbr\u003ewith\nCarl Flesch\n, violin\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 30 August 1937 in Abbey Road Studio No. 1, London ∙ Matrices: CAX\n8060-1, 8061-1, 8062-1 \u0026amp; 8063-1 ∙ First issued on Columbia LX 659\/60\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHANDEL Violin Sonata No. 4 in D major, Op. 1, No. 13, HWV371\u003c\/strong\u003e\u003cbr\u003e15. 1st Mvt. – Adagio (4:07)\u003cbr\u003e16. 2nd Mvt. – Allegro (2:35)\u003cbr\u003e17. 3rd Mvt. – Larghetto (3:24)\u003cbr\u003e18. 4th Mvt. – Allegro (3:02)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 2 March 1937 in Abbey Road Studio No. 3, London ∙ Matrices: CA\n16265-1, 16266-1, 16267-1 \u0026amp; 16268-1 ∙ First issued on Columbia LB 36\/7\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eWalter Goehr\n∙ Orchestra\n\u003c\/strong\u003e\n(Tracks 11 – 14)\u003cstrong\u003e\u003cbr\u003eNikita Magaloff\u003c\/strong\u003e\n\u003cstrong\u003e, piano \u003c\/strong\u003e\n(Tracks 15 – 18)\n\n\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 2 (65:57)\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n1. \u003cstrong\u003eVERACINI (arr. Corti) Largo \u003c\/strong\u003e(from Violin Sonata Op. 2, No. 6 in A major) (3:47)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 1 July 1927 in the Columbia Petty France Studio, London ∙ Matrix:\nWAX 2923-1 ∙ First issued on Columbia L 2097\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTARTINI Violin Sonata in G major, Op. 2, No. 12, B.G19\u003c\/strong\u003e\u003cbr\u003e2. 1st Mvt. – Andante (2:34)\u003cbr\u003e3. 2nd Mvt. – Allegro (2:05)\u003cbr\u003e4. 3rd Mvt. – Presto assai (1:52)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 29 June 1927 in the Columbia Petty France Studio, London ∙\nMatrices: WA 5789\/91 ∙ First issued on Columbia D 1629\/30\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e5. \u003cstrong\u003eTARTINI (arr. \u003c\/strong\u003e\u003cstrong\u003eOndřiček\u003c\/strong\u003e \u003cstrong\u003e) Adagio\u003c\/strong\u003e (3:47)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 March 1936 in Abbey Road Studio No. 3, London ∙ Matrix: CAX\n7750-1 ∙ First issued on Columbia LX 630\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTARTINI (ed. Pente; arr. Szigeti) Violin Concerto in D minor D.45\u003c\/strong\u003e\u003cbr\u003e6. 1st Mvt. – Allegro (5:14)\u003cbr\u003e7. 2nd Mvt. – Grave (3:43)\u003cbr\u003e8. 3rd Mvt. – Presto (4:08)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 December 1937 in Abbey Road Studio No. 1, London ∙ Matrices: CAX\n8130-1, 8131-1 \u0026amp; 8132-2 ∙ First issued on Columbia LX 710\/1\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e9. \u003cstrong\u003eEXAUDET (arr. Nachèz) Minuet and Dance of the Auvergne \u003c\/strong\u003e\n(3:46)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 1 July 1927 in the Columbia Petty France Studio, London ∙ Matrix:\nWAX 2929-2 ∙ First issued on Columbia 7152-M\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMOZART Violin Sonata No. 21 in E minor, KV304\u003c\/strong\u003e\u003cbr\u003e10. 1st Mvt. – Allegro (4:26)\u003cbr\u003e11. 2nd Mvt. – Tempo di Menuetto (4:57)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 2 March 1937 in Abbey Road Studio No. 3, London ∙ Matrices: CAX\n7953-1 \u0026amp; 7954-1 ∙ First issued on Columbia LX 604\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMOZART Violin Concerto No. 4 in D major, KV218\u003c\/strong\u003e\n\n(Cadenzas: Joachim)\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e12. 1st Mvt. – Allegro moderato (9:26)\u003cbr\u003e13. 2nd Mvt. – Andante (8:30)\u003cbr\u003e14. 3rd Mvt. – Rondo: Allegro (7:41)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 8 October 1934 in Abbey Road Studio No. 1, London ∙ Matrices: CAX\n7288-2, 7289-1, 7290-1, 7291-2, 7292-2 \u0026amp; 7293-2 ∙ First issued on\nColumbia LX 386\/8\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eKurt Ruhrseitz\u003c\/strong\u003e\n\u003cstrong\u003e, piano \u003c\/strong\u003e\n(Tracks 1 – 4 and 9)\u003cstrong\u003e\u003cbr\u003eNikita Magaloff, piano \u003c\/strong\u003e\n(Tracks 5, 10 and 11)\u003cstrong\u003e\u003cbr\u003eWalter Goehr ∙ Orchestra\u003c\/strong\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n(Tracks 6 – 8)\u003cstrong\u003e\u003cbr\u003eSir Thomas Beecham ∙ \u003c\/strong\u003e\n\u003cstrong\u003eLondon Philharmonic Orchestra\u003c\/strong\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n(Tracks 12 – 14)\n\n\u003c\/p\u003e\u003cp\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 17px;\"\u003eJoseph Szigeti, violin\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eProducer and Audio Restoration Engineer: Mark Obert-Thorn\u003cbr\u003eSpecial thanks to Nathan Brown and Charles Niss for providing source\nmaterial\u003cbr\u003eCover Artwork based on a photograph of Joseph Szigeti\u003cbr\u003e\u003cbr\u003eTotal duration:  2hr 19:10    CD1: 73:13    CD2: 65:57\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PASC621.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PASC621.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Mono 16-bit FLAC","offer_id":44064685031514,"sku":"izb1789303061349","price":17.62,"currency_code":"USD","in_stock":true},{"title":"320kbps Mono MP3","offer_id":44064685064282,"sku":"cxh1789303061350","price":15.46,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/3807\/0874\/files\/szigeti-the-european-columbia-recordings-volume-1-1927-37---pasc621_1.jpg?v=1789303068","url":"https:\/\/vestorawear.shop\/products\/szigeti-the-european-columbia-recordings-volume-1-1927-37-pasc621","provider":"My Store","version":"1.0","type":"link"}