{"product_id":"szigeti-the-european-columbia-recordings-volume-3-1926-46-pasc682","title":"SZIGETI The European Columbia Recordings, Volume 3 (1926-46) - PASC682","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMENDELSSOHN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Concerto\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBRAHMS \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Concerto\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBRAHMS \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Sonata No. 3\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eMusic by \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eBerlioz, Hubay, Elgar, Kreisler, Dvořák, Chabrier, Rimsky-Korsakov, Falla\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recordings, 1926-1946\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 2hr 27:05\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eJoseph Szigeti\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, violin\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eEgon Petri\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eKurt Ruhrseitz\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eNikita Magaloff\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eConstant Lambert ∙ Philharmonia Orchestra\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eSir Thomas Beecham ∙ London Philharmonic Orchestra\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eSir Hamilton Harty ∙ Hallé Orchestra \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC682.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\nJoseph Szigeti was born in Budapest in 1892. After showing promise on the\nviolin at a very young age, he was accepted as a student by Jenő Hubay and\nmade his Berlin debut at thirteen. Shortly thereafter, he settled in\nEngland for several years. It was during this period that he met Ferruccio\nBusoni, who was to become a major influence in moving the young prodigy\nfrom being merely a talented virtuoso toward becoming a more intellectual\nand analytical musician.\n\u003c\/p\u003e\n\u003cp\u003e\nA stay in a Swiss sanatorium in 1913 to treat his tuberculosis introduced\nSzigeti to a fellow Hungarian who was to become another major influence on\nhim as a musician and a lifelong friend, Béla Bartók. Szigeti remained in\nSwitzerland for several years, teaching and expanding his facility in\nplaying chamber works. In 1925, he played for a visiting Leopold Stokowski,\nand was quickly invited to make his American debut. He shortly became\nestablished internationally as a concert artist. He settled in the USA in\n1940, and continued his concert career for another twenty years before\nretiring to write and teach. He died in 1973.\n\u003c\/p\u003e\n\u003cp\u003e\nSzigeti’s earliest recordings were made in England for the Gramophone and\nTypewriter Company between 1908 and 1913. He made no further discs during\nthe acoustic era, save for a handful recorded in Russia in either 1924 or\n1926. In the latter year, he began an association with English Columbia\nthat lasted for eleven years, with one session for their Japanese affiliate\nin 1931 that produced four sides. In 1938, he began recording for American\nColumbia, where he remained until 1956, with one set (the Bloch Concerto)\ndone for French Columbia in 1939, a single disc made for the American New\nMusic Quarterly label in 1941, and a return to English Columbia for four\nsides in 1946. His final recordings were made for Mercury in 1959-61.\n\u003c\/p\u003e\n\u003cp\u003e\nThis series presents all of the Columbia recordings he made in Britain,\nFrance and Japan, as well as the one New Music Quarterly disc, as a\ncomplement to Sony’s recent set comprising his American Columbia\nrecordings. From the 1940s onward, Szigeti began to experience increasing\ntechnical problems. American Columbia passed on releasing his 1955-56\nrecordings of Bach Sonatas and Partitas as well as several contemporaneous\nLPs’ worth of Mozart Sonatas, which were only issued later by Vanguard.\nSzigeti himself ruefully referred to his final Mercury LPs as his\n“posthumous recordings”. The performances featured in this series are\ngenerally judged to be his finest on disc.\n\u003c\/p\u003e\n\u003cp\u003e\nThe Berlioz which begins our program devoted to works of the Romantic era\nwas one of two discs Szigeti recorded during his return to Britain after\nthe war. It is the latest recording in this series. While Szigeti made\nthree recordings of the Beethoven and Brahms concertos (one each for\nEnglish Columbia, American Columbia and Mercury), he only made one of the\nMendelssohn, the classic account with Beecham presented here. The\nadditional version of the Adagio from the Brahms sonata was made as the\nfiller to Szigeti’s recording of the Brahms concerto with Harty. He would\ndo the same for his later remake with Ormandy, even after having recorded\nthe sonata complete with Petri.\n\u003c\/p\u003e\n\u003cp\u003e\nSzigeti re-recorded the Dvořák\/Kreisler Slavonic Dance in E minor less than\ntwo years after his initial version, presumably to broaden the tempo. Both\nwere released under the same catalog number in the UK with no take numbers\nshown, and the only way to tell them apart is by listening and comparing\ncopies. Both takes are being reissued together here for the first time.\nThis volume also includes two recordings of works by Szigeti’s teacher,\nHubay, one of them from the violinist’s only Japanese session. The two\nElgar works (in Szigeti’s own arrangements) were recorded as a tribute only\nfour days after the composer’s death.\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMark Obert-Thorn\u003c\/strong\u003e\n\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 24px;\"\u003eJOSEPH SZIGETI\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 24px;\"\u003e The European Columbia Recordings, Volume 2\u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 1 (73:46)\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n1. \u003cstrong\u003eBERLIOZ R\u003c\/strong\u003e\u003cstrong\u003ee\u003c\/strong\u003e\u003cstrong\u003everie and Caprice, \u003c\/strong\u003e \u003cstrong\u003eOp. 8 \u003c\/strong\u003e(9:12)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 26 August 1946 in Abbey Road Studio No. 1, London ∙ Matrices: CAX\n9678-2 \u0026amp; 9679-1 ∙ First issued on Columbia LX 946\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMENDELSSOHN Violin Concerto in E minor, Op. 64\u003c\/strong\u003e\u003cbr\u003e2. 1st Mvt. – Allegro molto appassionato – Presto (12:21)\u003cbr\u003e3. 2nd Mvt. – Andante (8:18)\u003cbr\u003e4. 3rd Mvt. – Allegro non troppo – Allegro molto vivace (6:32)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 27-28 September 1933 in Abbey Road Studio No. 1, London ∙\nMatrices: CAX 6932-2, 6933-2, 6934-1, 6935-2, 6936-1, 6937-1 \u0026amp; 6938-1 ∙\nFirst issued on Columbia LX 262\/5\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eBRAHMS Violin Concerto in D major, Op. 77\u003c\/strong\u003e\u003cbr\u003e5. 1st Mvt. – Allegro ma non troppo (Cadenza: Joachim) (20:56)\u003cbr\u003e6. 2nd Mvt. – Adagio (8:59)\u003cbr\u003e7. 3rd Mvt. – Allegro giocoso, ma non troppo vivace (7:26)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 3-5 December 1928 in Free Trade Hall, Manchester ∙ Matrices: WAX\n4420-2, 4421-3, 4422-3, 4423-3, 4424-2, 4425-2, 4426-1, 4427-2 \u0026amp; 4428-2\n∙ First issued on Columbia L 2265\/9\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eConstant Lambert ∙ Philharmonia Orchestra \u003c\/strong\u003e\n\n(Track 1)\u003cstrong\u003e\u003cbr\u003eSir Thomas Beecham ∙ London Philharmonic Orchestra \u003c\/strong\u003e\n(Tracks 2 – 4)\u003cstrong\u003e\u003cbr\u003eSir Hamilton Harty ∙ Hall\u003c\/strong\u003e\u003cstrong\u003eé\u003c\/strong\u003e\n\u003cstrong\u003e Orchestra \u003c\/strong\u003e\n(Tracks 5 – 7)\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eCD 2 (73:19)\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eBRAHMS Violin Sonata No. 3 in D minor, Op. 108\u003c\/strong\u003e\u003cbr\u003e1. 1st Mvt. – Allegro (8:44)\u003cbr\u003e2. 2nd Mvt. – Adagio (4:45)\u003cbr\u003e3. 3rd Mvt. – Un poco presto e con sentimento (3:08)\u003cbr\u003e4. 4th Mvt. – Presto agitato (6:21)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 8 December 1937 in Abbey Road Studio No.3, London ∙ Matrices: CAX\n8134-1, 8135-1, 8136-2, 8137-2, 8138-3 \u0026amp; 8139-2 ∙ First issued on\nColumbia LX 699\/701\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n5. 2nd Mvt. – Adagio (4:46)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 1 July 1927 in the Columbia Petty France Studio, London ∙ Matrix:\nWAX 2930-2 ∙ First issued on Columbia L 2269\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n6. \u003cstrong\u003eDVO\u003c\/strong\u003e\u003cstrong\u003eŘÁ\u003c\/strong\u003e\u003cstrong\u003eK (arr. Kreisler) Slavonic Dance in G minor, Op. 46, No. 2\u003c\/strong\u003e\n(3:09)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 29 June 1927 in the Columbia Petty France Studio, London ∙ Matrix:\nWAX 2913-2 ∙ First issued on Columbia L 2097\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n7. \u003cstrong\u003eDVO\u003c\/strong\u003e\u003cstrong\u003eŘÁ\u003c\/strong\u003e\u003cstrong\u003eK (arr. Kreisler) Slavonic Dance in E minor, Op. 72, No. 2\u003c\/strong\u003e\n– first recording (3:41)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 20 September 1926 in the Columbia Petty France Studio, London ∙\nMatrix: WAX 1773-5 ∙ First issued on Columbia L 1963\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n8. \u003cstrong\u003eDVO\u003c\/strong\u003e\u003cstrong\u003eŘÁ\u003c\/strong\u003e\u003cstrong\u003eK (arr. Kreisler) Slavonic Dance in E minor, Op. 72, No. 2\u003c\/strong\u003e\n– second recording (4:12)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 June 1928 in the Columbia Petty France Studio, London ∙ Matrix:\nWAX 1773-8 ∙ First issued on Columbia L 1963\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n9. \u003cstrong\u003eHUBAY Zephyr, Op. 30, No. 5 \u003c\/strong\u003e(3:29)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 9 July 1926 in the Columbia Petty France Studio, London ∙ Matrix:\nWAX 1789-2 ∙ First issued on Columbia L 1788\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n10. \u003cstrong\u003eHUBAY Scenes from the Czardas No. 3, Op. 18, “Maros vize” \u003c\/strong\u003e\n(6:22)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 18-19 June 1931 in Tokyo ∙ Matrices: NE 35246\/7 ∙ First issued on\nJapanese Columbia J 5175\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n11.\n\u003cstrong\u003e\nRIMSKY-KORSAKOV (arr. Hartmann) Flight of the Bumblebee from Tsar\nSultan, Op. 57\n\u003c\/strong\u003e\n(1:15)\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 1 June 1933 in Abbey Road Studio No. 3, London ∙ Matrix: CAX\n6852-1 [part] ∙ First issued on Columbia LX 307\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n12.\n\u003cstrong\u003e\nFALLA (arr. Kreisler) Danza española No. 1 from La vida breve\n\u003c\/strong\u003e\n(3:11)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 18-19 June 1931 in Tokyo ∙ Matrix: NE 35245 ∙ First issued on\nJapanese Columbia J 5169\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n13. \u003cstrong\u003eCHABRIER (arr. Loeffler) Scherzo-valse from Pi\u003c\/strong\u003e\u003cstrong\u003eè\u003c\/strong\u003e\u003cstrong\u003eces pittoresques \u003c\/strong\u003e(4:30)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 31 May 1933 in Abbey Road Studio No. 3, London ∙ Matrix: CAX\n6849-2 ∙ First issued on American Columbia 68162-D\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n14. \u003cstrong\u003eELGAR (arr. Szigeti) Adieu \u003c\/strong\u003e(2:49)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 27 February 1934 in Abbey Road Studio No. 3, London ∙ Matrix: CA\n14361-1 ∙ First issued on Columbia LB 14\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n15. \u003cstrong\u003eELGAR (arr. Szigeti) Serenade \u003c\/strong\u003e(2:31)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 27 February 1934 in Abbey Road Studio No. 3, London ∙ Matrix: CA\n14362-1 ∙ First issued on Columbia LB 14\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n16.\n\u003cstrong\u003e\nKREISLER Sicilienne et rigaudon (in the style of Francoeur)\n\u003c\/strong\u003e\n(3:26)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 9 July 1926 in the Columbia Petty France Studio, London ∙ Matrix:\nWAX 1788-1 ∙ First issued on Columbia L 1788\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n17. \u003cstrong\u003eKREISLER Liebesleid \u003c\/strong\u003e(3:27)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 7 June 1928 in the Columbia Petty France Studio, London ∙ Matrix:\nWAX 3742-2 ∙ First issued on Columbia L 2225\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n18. \u003cstrong\u003eKREISLER Tambourin chinois, Op,. 3 \u003c\/strong\u003e(3:24)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 30 June 1927 in the Columbia Petty France Studio, London ∙ Matrix:\nWAX 2917-4 ∙ First issued on Columbia L 2037\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eEgon Petri, piano \u003c\/strong\u003e(Tracks 1 – 4)\u003cstrong\u003e\u003cbr\u003eKurt Ruhrseitz, piano \u003c\/strong\u003e\n(Tracks 5 – 9, 16 – 18)\u003cstrong\u003e\u003cbr\u003eNikita Magaloff, piano\u003c\/strong\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n(Tracks 10 – 15)\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eJoseph Szigeti, violin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cbr\u003e\u003c\/span\u003eProducer and Audio Restoration Engineer: Mark Obert-Thorn\u003cbr\u003eSpecial thanks to Nathan Brown and Charles Niss for providing source\nmaterial\n\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 14px;\"\u003eTotal duration: 2hr 27:05\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PASC682.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PASC682.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Mono 16-bit FLAC","offer_id":44064699711578,"sku":"guq1789303622748","price":19.91,"currency_code":"USD","in_stock":true},{"title":"320kbps Mono MP3","offer_id":44064699744346,"sku":"scn1789303622749","price":15.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/3807\/0874\/files\/szigeti-the-european-columbia-recordings-volume-3-1926-46---pasc682_1.jpg?v=1789303629","url":"https:\/\/vestorawear.shop\/products\/szigeti-the-european-columbia-recordings-volume-3-1926-46-pasc682","provider":"My Store","version":"1.0","type":"link"}