{"product_id":"szigeti-the-european-columbia-recordings-volume-4-1926-46-pasc695","title":"SZIGETI The European Columbia Recordings, Volume 4 (1926-46) - PASC695","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eWARLOCK \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eCapriol Suite\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003ePROKOFIEV \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Concerto\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBARTÓK \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eHungarian Folk Tunes\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBARTÓK \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eRomanian Folk Dances\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eIVES \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Sonata No. 4\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBLOCH \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eViolin Concerto\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003emusic by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eDebussy, Ravel, Milhaud, Lie, Szymanowski, Scriabin, Stravinsky\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recordings, 1926-46\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 2hr 4:59\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eJoseph Szigeti\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, violin\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eNikita Magaloff, Kurt Ruhrseitz, Béla Bartók, Andor Foldes\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, piano\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eLondon Philharmonic Orchestra\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eSir Thomas Beecham\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003ePhilharmonia Orchestra\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eConstant Lambert\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eOrchestre de la Société des Concerts du Conservatoire\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eCharles Munch\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC695.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003eJoseph Szigeti was born in Budapest in 1892.  After showing promise on the violin at a very young age, he was accepted as a student by Jenő Hubay and made his Berlin debut at thirteen.  Shortly thereafter, he settled in England for several years.  It was during this period that he met Ferruccio Busoni, who was to become a major influence in moving the young prodigy from being merely a talented virtuoso toward becoming a more intellectual and analytical musician.\u003c\/p\u003e\n\n\u003cp\u003eA stay in a Swiss sanatorium in 1913 to treat his tuberculosis introduced Szigeti to a fellow Hungarian who was to become another major influence on him as a musician and a lifelong friend, Béla Bartók.  Szigeti remained in Switzerland for several years, teaching and expanding his facility in playing chamber works.  In 1925, he played for a visiting Leopold Stokowski, and was quickly invited to make his American debut.  He shortly became established internationally as a concert artist.  He settled in the USA in 1940, and continued his concert career for another twenty years before retiring to write and teach.  He died in 1973. \u003c\/p\u003e\n\n\u003cp\u003eSzigeti’s earliest recordings were made in England for the Gramophone and Typewriter Company between 1908 and 1913.  He made no further discs during the acoustic era, save for a handful recorded in Russia in either 1924 or 1926.  In the latter year, he began an association with English Columbia that lasted for eleven years, with one session for their Japanese affiliate in 1931 that produced four sides.  In 1938, he began recording for American Columbia, where he remained until 1956, with one set (the Bloch Concerto) done for French Columbia in 1939, a single disc made for the American New Music Quarterly label in 1942, and a return to English Columbia for four sides in 1946.  His final recordings were made for Mercury in 1959-61.\u003c\/p\u003e\n\n\u003cp\u003eThis is the final volume in a series presenting all of the Columbia recordings he made in Britain, France and Japan, as well as the one New Music Quarterly disc, as a complement to Sony’s recent set comprising his American Columbia recordings.  From the 1940s onward, Szigeti began to experience increasing technical problems.  American Columbia passed on releasing his 1955-56 recordings of Bach Sonatas and Partitas as well as several contemporaneous LPs’ worth of Mozart Sonatas, which were only issued later by Vanguard.  Szigeti himself ruefully referred to his final Mercury LPs as his “posthumous recordings”.  The performances featured here and in the prior volumes are generally judged to be his finest on disc.\u003c\/p\u003e\n\n\u003cp\u003eSzigeti championed contemporary works throughout his career, and so it is appropriate that the present program focuses mainly on Twentieth Century music.  Some words are in order about a few of the works.  Peter Warlock’s “Capriol” Suite was composed only ten years before Szigeti recorded his transcription of three of its movements; yet it almost seems to come from the time of the Renaissance dances which were its inspiration, save for its dissonant conclusion. \u003c\/p\u003e\n\n\u003cp\u003eBartók’s Portrait No. 1 had originally been written as the first movement of his first Violin Concerto; but the composer left it unpublished and repurposed this movement as the first of his two Portraits.  The concerto in its original form was only first performed in 1958.\u003c\/p\u003e\n\n\u003cp\u003eSzigeti gave the world première of the Bloch concerto in 1938 with Mitropoulos conducting the Cleveland Orchestra.  Broadcast performances have been released of his performances the following year under Mengelberg and Beecham (the latter on Pristine PASC 410), the same year he made the first recording with Munch presented here.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMark Obert-Thorn\u003c\/strong\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003eSZIGETI The European Columbia Recordings, Volume 4\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\n\u003cstrong\u003e\n\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 1\n(53:48)\n\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\n\u003cstrong\u003eWARLOCK (arr. Szigeti) “Capriol” Suite\u003cbr\u003e\u003c\/strong\u003e1. Basse-Danse: Allegro moderato(1:31)\u003cbr\u003e2. Pavane: Allegretto, ma un poco lento (2:48)\u003cbr\u003e3. Mattachins: Allegro con brio (1:04)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 March 1936 in Abbey Road Studio No. 3, London ∙ Matrices: CA\n15651-1 \u0026amp; 15652-1 ∙ First issued on Columbia LB 32\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n4. \u003cstrong\u003eDEBUSSY (arr. Dushkin)\nMenuet\u003c\/strong\u003e(No. 3 from Petite suite, L 65) (3:05)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 29 June 1927 in the Columbia Petty France Studio, London ∙ Matrix:\nWAX 2912-2 ∙ First issued on Columbia L 2037\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e5. \u003cstrong\u003eRAVEL (arr. Leduc) Pi\u003c\/strong\u003e\u003cstrong\u003eè\u003c\/strong\u003e\n\u003cstrong\u003ece en forme de habanera\u003c\/strong\u003e (2:33)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 March 1936 in Abbey Road Studio No. 3, London ∙ Matrix: CAX\n7749-1 [part] ∙ First issued on Columbia LX 575\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e6. \u003cstrong\u003eMILHAUD Le printemps, Op. 18\u003c\/strong\u003e\n(2:52)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 20 September 1926 in the Columbia Petty France Studio, London ∙\nMatrix: WAX 1929-1 ∙ First issued on Columbia L 1963\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e7. \u003cstrong\u003eMILHAUD (arr. L\u003c\/strong\u003e\u003cstrong\u003eé\u003c\/strong\u003e\u003cstrong\u003evy)\nCorcavado\u003c\/strong\u003e(No. 7 from Suadades do Brasil, Op. 67)\u003cstrong\u003e\u003c\/strong\u003e(2:14)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 9 July 1926 in the Columbia Petty France Studio, London ∙ Matrix:\nWA 3587 ∙ First issued on Columbia D 1527\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e8. \u003cstrong\u003eMILHAUD (arr. L\u003c\/strong\u003e\u003cstrong\u003eé\u003c\/strong\u003e\u003cstrong\u003evy)\nTijuca\u003c\/strong\u003e(No. 8 from Suadades do Brasil, Op. 67)\u003cstrong\u003e\u003c\/strong\u003e(2:20)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 29 June 1927 in the Columbia Petty France Studio, London ∙ Matrix:\nWA 5792 ∙ First issued on Columbia D 1633\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e9. \u003cstrong\u003eLIE (arr. Szigeti)\nSne\u003c\/strong\u003e(Snow)\u003cstrong\u003e\u003c\/strong\u003e(1:44)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 2 March 1937 in Abbey Road Studio No. 3, London ∙ Matrix: CA\n16269-1 [part] ∙ First issued on Columbia LB 38\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e10.\n\n\u003cstrong\u003eSZYMANOWSKI Le fontaine d’Arth\u003c\/strong\u003e\n\n\u003cstrong\u003eé\u003c\/strong\u003e\u003cstrong\u003euse\u003c\/strong\u003e(No. 1 from Mythes, Op. 30)\u003cstrong\u003e\u003c\/strong\u003e(5:38)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 1 June 1933 in Abbey Road Studio No. 3, London ∙ Matrices: CAX\n6851-1 \u0026amp; 6852-1 [part] ∙ First issued on Columbia LX 307\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e11.\n\n\u003cstrong\u003eSCRIABIN (arr. Szigeti) Etude in D flat major,\u003c\/strong\u003e\n\nOp. 8, No. 10 (“Etude in Thirds”) (1:48)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 March 1936 in Abbey Road Studio No. 3, London ∙ Matrix: CAX\n7749-1 [part] ∙ First issued on Columbia LX 575\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e12.\n\n\u003cstrong\u003eSTRAVINSKY (arr. Stravinsky\/Dushkin) Pastorale\u003c\/strong\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e(1:15)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 1 June 1933 in Abbey Road Studio No. 3, London ∙ Matrix: CAX\n6852-1 [part] ∙ First issued on Columbia LX 307\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e13.\n\n\u003cstrong\u003eSTRAVINSKY (arr. Dushkin) Danse Russe from Petrushka\u003c\/strong\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e(2:44)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 2 March 1937 in Abbey Road Studio No. 3, London ∙ Matrix: CA\n16270-2 ∙ First issued on Columbia LB 38\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e14.\n\n\u003cstrong\u003ePROKOFIEV (arr. Grunes) Gavotte from the “Classical” Symphony,\nOp. 25\u003c\/strong\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e(1:34)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 2 March 1937 in Abbey Road Studio No. 3, London ∙ Matrix: CA\n16269-1 [part] ∙ First issued on Columbia LB 38\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePROKOFIEV Violin Concerto No. 1\u003c\/strong\u003e\n\u003cstrong\u003ein D major, Op. 19\u003cbr\u003e\u003c\/strong\u003e15. 1st Mvt. – Andantino – Andante assai\n(9:12)\u003cbr\u003e16. 2nd Mvt. – Vivacissimo (3:57)\u003cbr\u003e17. 3rd Mvt. – Andante – Allegro moderato\n(7:21)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 23 August 1935 in Abbey Road Studio No. 1, London ∙ Matrices: CAX\n7583-2, 7584-3, 7585-2, 7586-2 \u0026amp; 7587-2 ∙ First issued on Columbia LX\n433\/5\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNikita Magaloff\u003c\/strong\u003e, piano (Tracks 1 – 3, 5, 9 – 14)\u003cbr\u003e\u003cstrong\u003eKurt Ruhrseitz\u003c\/strong\u003e, piano (Tracks 4, 6 – 8)\u003cbr\u003e\u003cstrong\u003eSir Thomas Beecham ∙ \u003c\/strong\u003eLondon Philharmonic Orchestra (Tracks 15 – 17)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eCD 2  (71:10)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eBART\u003c\/strong\u003e\u003cstrong\u003eÓ\u003c\/strong\u003e\u003cstrong\u003eK\n(arr. Szigeti) Hungarian Folk Tunes\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e(after For\nChildren)\u003cbr\u003e1. 1st Mvt. – Parlando (1:02)\u003cbr\u003e2. 2nd Mvt. – Andante non molto (1:10)\u003cbr\u003e3. 3rd Mvt. – Allegro vivace (1:36)\u003cbr\u003e4. 4th Mvt. – Andante sostenuto (1:31)\u003cbr\u003e5. 5th Mvt. – Allegro (0:37)\u003cbr\u003e6. 6th Mvt. – Andante (0:46)\u003cbr\u003e7. 7th Mvt. – Poco vivace (0:52)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 7 January 1930 in the Columbia Petty France Studio, London ∙\nMatrices: WAX 5322-3 \u0026amp; 5323-2 ∙ First issued on Columbia LX 31\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBART\u003c\/strong\u003e\u003cstrong\u003eÓ\u003c\/strong\u003e\u003cstrong\u003eK\n(arr. Sz\u003c\/strong\u003e\u003cstrong\u003eé\u003c\/strong\u003e\u003cstrong\u003ekely) Romanian Folk Dances\u003c\/strong\u003e,\u003cstrong\u003e\u003c\/strong\u003eSz.56\n(BB 68)\u003cbr\u003e8. 1st Mvt. – Jocul cu bâtǎ (Stick\nDance) (1:09)\u003cbr\u003e9. 2nd Mvt. – Brâul (Sash Dance) (0:24)\u003cbr\u003e10. 3rd Mvt. – Pe loc (In One Spot) (0:52)\u003cbr\u003e11. 4th Mvt. – Buciumeana (Song of Buchumi)\n(1:29)\u003cbr\u003e12. 5th Mvt. – Poarga Româneascǎ (Romanian\nDance) (0:31)\u003cbr\u003e13. 6th Mvt. – Mǎrunţel (Fast Dance)\n(1:00)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 7 January 1930 in the Columbia Petty France Studio, London ∙\nMatrices: WA 9908-3 \u0026amp; 9909-4 ∙ First issued on Columbia LB 6\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e14. \u003cstrong\u003eBART\u003c\/strong\u003e\u003cstrong\u003eÓ\u003c\/strong\u003e\u003cstrong\u003eK\nPortrait No. 1 –\u003c\/strong\u003eEgy idealis (One Ideal), Op. 5, Sz.37 (9:05)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 22 June 1946 in in Abbey Road Studio No. 1, London ∙ Matrices: CAX\n9568-1 \u0026amp; 9569-2 ∙ First issued on Columbia LX 1531\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIVES Violin Sonata No. 4\u003c\/strong\u003e,\n“Children’s Day at the Camp Meeting”\u003cbr\u003e15. 1st Mvt. – Allegro (1:54)\u003cbr\u003e16. 2nd Mvt. – Largo – Allegro (5:12)\u003cbr\u003e17. 3rd Mvt. – Allegro (1:37)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 14 February 1942 in New York City ∙ Matrices: ARS 2457A \u0026amp;\n2458A ∙ First issued on New Music Quarterly Recordings 1612A\/B\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e18. \u003cstrong\u003eBLOCH Nigun\n(Improvisation)\u003c\/strong\u003e(No. 2 from Baal Shem, B.47) (5:23)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 5 July 1926 in the Columbia Petty France Studio, London ∙\nMatrices: WA 3537-1 \u0026amp; 3538-1 ∙ First issued on Columbia D 1557\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBLOCH Violin Concerto\u003c\/strong\u003e\n\u003cstrong\u003e\nin A minor\u003cbr\u003e\u003c\/strong\u003e19. 1st Mvt. – Allegro deciso (18:15)\u003cbr\u003e20. 2nd Mvt. – Andante (6:14)\u003cbr\u003e21. 3rd Mvt. – Deciso (10:22)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 22-23 March 1939 in Studio Albert, Paris ∙ Matrices: CLX 2134-1,\n2135-1, 2143-1, 2144-1, 2145-2, 2146-1, 2147-1 \u0026amp; 2148-2 ∙ First issued\non Columbia LX 819\/22\n\u003c\/span\u003e\u003c\/p\u003e\u003cstrong\u003eB\u003c\/strong\u003e\u003cstrong\u003eé\u003c\/strong\u003e\u003cstrong\u003ela Bart\u003c\/strong\u003e\u003cstrong\u003eó\u003c\/strong\u003e\u003cstrong\u003ek\u003c\/strong\u003e, piano (Tracks 1 – 13)\u003cp\u003e\u003cstrong\u003eConstant Lambert \u003c\/strong\u003e· Philharmonia Orchestra (Track 14)\u003cbr\u003e\u003cstrong\u003eAndor Foldes\u003c\/strong\u003e, piano (Tracks 15 – 17)\u003cbr\u003e\u003cstrong\u003eKurt Ruhrseitz, piano \u003c\/strong\u003e(Track 18)\u003cbr\u003e\u003cstrong\u003eCharles Munch \u003c\/strong\u003e· Orchestre de la Société des Concerts du Conservatoire (Tracks 19 – 21)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 20px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 20px;\"\u003eJoseph Szigeti\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 20px;\"\u003e, violin\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eProducer and Audio Restoration Engineer:  Mark Obert-Thorn\u003cbr\u003eSpecial thanks to Nathan Brown, Charles Niss and James H. North for providing source material\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cb\u003eTotal duration: 2hr 4:59\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PASC695.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PASC695.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Mono 16-bit FLAC","offer_id":44064702201946,"sku":"vyb1789303736082","price":19.15,"currency_code":"USD","in_stock":true},{"title":"320kbps Mono MP3","offer_id":44064702234714,"sku":"lxm1789303736083","price":14.21,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/3807\/0874\/files\/szigeti-the-european-columbia-recordings-volume-4-1926-46---pasc695_1.jpg?v=1789303742","url":"https:\/\/vestorawear.shop\/products\/szigeti-the-european-columbia-recordings-volume-4-1926-46-pasc695","provider":"My Store","version":"1.0","type":"link"}