{"product_id":"zemlinsky-the-complete-recordings-1927-1934-pasc642","title":"ZEMLINSKY The Complete Recordings (1927-1934) - PASC642","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan style=\"font-size: 18px;\"\u003eMusic by: \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eMozart, Beethoven, Weber, Rossini, Flotow, Maillart, J Strauss II, Verdi, Puccini, Smetana, Dvořák, Fibich, Weinberger\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recordings\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003e, 1927-1934\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 1hr 54:03\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eVarious Soloists\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eVarious Orchestras\u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eAlexander von Zemlinsky\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC642.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp style=\"margin-left: 25px;\"\u003e\n\n\u003cem\u003e\nI have admired the work of many conductors during my long career .\n. . But I think that of all those I have heard I would nominate\nAlexander von Zemlinsky as the all-round conductor who achieved the\nmost consistently high standard, and that is a mature judgement. I\nremember a performance of the “Marriage of Figaro” by him in Prague\nas the most satisfying operatic experience of my life.\n\u003c\/em\u003e\n\n\u003c\/p\u003e\n\u003cp style=\"margin-left: 25px;\" align=\"right\"\u003e\n\u003cstrong\u003eIgor Stravinsky, 1964\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\nFor today’s listeners, the name of Alexander von Zemlinsky is most\noften associated with such late-Romantic era compositions as the\u003cem\u003eLyric Symphony\u003c\/em\u003e, the massive tone poem,\u003cem\u003eDie Seejungfrau\u003c\/em\u003e (\u003cem\u003eThe Mermaid\u003c\/em\u003e), and the opera \u003cem\u003eDer Zwerg\u003c\/em\u003e (\u003cem\u003eThe Dwarf\u003c\/em\u003e). But this focus on Zemlinsky as\ncomposer only dates from the 1970s onward, as his output was\nrediscovered by a new generation of concert goers and record\ncollectors. For most of his later career, and for decades after his\ndeath, Zemlinsky was primarily remembered as an opera conductor who\nleft a small number of recordings made in the late 1920s and early\n‘30s. The present release, issued on the occasion of the 150th\nanniversary of Zemlinsky’s birth (14 October 1871), brings together for\nthe first time all of his extant recordings, including two titles\nunpublished on 78 rpm discs.\n\n\u003c\/p\u003e\n\u003cp\u003e\nZemlinsky was born in Vienna and was accepted into the Conservatory there\nas a piano student at the age of thirteen, where he also studied\ncomposition under Bruckner. His early works showed the influence of Brahms,\nwho became an influential supporter. In an amateur orchestra he had founded\nin 1895, Zemlinsky met Arnold Schoenberg, who was to become his close\nfriend, student (in counterpoint) and brother-in-law, when he married\nZemlinsky’s sister.\n\u003c\/p\u003e\n\u003cp\u003e\nZemlinsky’s reputation as a composer began to rise with the success of his\nSecond Symphony at its Viennese première in 1897. Three years later, Mahler\nconducted the first performance of Zemlinsky’s opera, \u003cem\u003eEs war einmal\u003c\/em\u003e (\u003cem\u003eOnce Upon a Time\u003c\/em\u003e) at the Vienna Court\nOpera. It was around this time that Zemlinsky took on Alma Schindler as a\ncomposition student. The two began a romantic relationship which she ended,\nsubsequently marrying Mahler in 1902.\n\u003c\/p\u003e\n\u003cp\u003e\nZemlinsky served in a number of conductorial positions, first in Vienna,\nthen from 1911 to 1927 at the Deutsches Landestheater in Prague. In 1924,\nhe moved to Berlin, where he continued to teach and also conduct at the\nKroll Opera, until the rise of the Nazis in 1933 forced him to return to\nVienna. Following Schoenberg, he moved to America in 1938, but found few\nopportunities there. He died in Larchmont, New York in 1942.\n\u003c\/p\u003e\n\u003cp\u003e\nWhat strikes modern listeners about his recordings is their directness and\nlack of the sort of willfulness commonly associated with conductors of his\nera. In a previous reissue of some of these recordings, musicologist Helmut\nHaack wrote: “Zemlinsky’s approach is analytical. He brings each and every\ntheme to life according to its own character so that each interpretation\nseems the definitive one . . . By this means, Zemlinsky exposes the formal\nstructure of each piece. Scrupulous attention to every detail without\ndetaching it from its context allows him to approach Flotow and Maillart as\nwhole-heartedly as classical composers such as Mozart and Beethoven.”\n\u003c\/p\u003e\n\u003cp\u003e\nZemlinsky’s published orchestral recordings have been reissued on CD twice\nbefore, first by Koch-Schwann, and later by Archiphon. The latter included\nthe first release of one version of the \u003cem\u003eFreischütz\u003c\/em\u003e Overture,\ntransferred from a tape source so dim and muffled as to be almost\nunlistenable. The operatic accompaniments have been issued on various CDs\nassociated with their singers (on Preiser and Supraphon), except for the\nGerlach-Rusnak sides, which have only been commercially reissued on LP. The \u003cem\u003eFledermaus\u003c\/em\u003e Overture and one version of the \u003cem\u003eFreischütz\u003c\/em\u003e\nmake their first appearances on this release.\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMark Obert-Thorn\u003c\/strong\u003e\n\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 24px;\"\u003eALEXANDER VON ZEMLINSKY The Complete Recordings\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eCD 1\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n1. \u003cstrong\u003eMOZART Don Giovanni - Overture \u003c\/strong\u003e\n(6:11)\u003cspan style=\"font-size: 12px;\"\u003e\u003cbr\u003eRecorded Autumn 1927 in Berlin\u003c\/span\u003e\u003cspan style=\"font-size: 12px;\"\u003e\n∙ Matrices: 709 \u0026amp; 710 bm ∙ First issued on Grammophon 19796\n\u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\n2. \u003cstrong\u003eMOZART Cosí fan tutte - Overture \u003c\/strong\u003e(4:38)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded Autumn 1927 in Berlin ∙ Matrix: 711 ½ bm ∙ First issued on Grammophon 19817\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n3.\n\n\u003cstrong\u003eMOZART Die Entführung aus dem Serail \u003c\/strong\u003e\n\n\u003cstrong\u003e- Overture \u003c\/strong\u003e\n(4:39)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded Autumn 1927 in Berlin ∙ Matrix: 712 bm ∙ First issued on\nGrammophon 19817\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e4. \u003cstrong\u003eBEETHOVEN Fidelio - Overture \u003c\/strong\u003e(6:31)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded January 1929 in the Hochschule für Musik, Berlin\n\n∙ Matrices: 1897 \u0026amp; 1898 ½ BK I ∙ First issued on Grammophon 62667\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e5. \u003cstrong\u003eWEBER Der Freischütz - Overture\u003c\/strong\u003e (Takes 1-1-1) \u003cstrong\u003e \u003c\/strong\u003e(9:56)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded Autumn 1927 in Berlin ∙ Matrices: 718, 719 \u0026amp; 720 bm ∙ Unissued\non 78 rpm\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e6. \u003cstrong\u003eWEBER Der Freischütz - Overture\u003c\/strong\u003e (Takes 1-2-2) \u003cstrong\u003e \u003c\/strong\u003e(9:50)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded Autumn 1927 in Berlin ∙ Matrices: 718, 719 ½ \u0026amp; 720 ½ bm ∙\nUnissued on 78 rpm\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e7.\u003cstrong\u003eROSSINI La gazza ladra - Overture\u003c\/strong\u003e \u003cstrong\u003e \u003c\/strong\u003e(8:44)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded January 1929 in the Hochschule für Musik, Berlin ∙ Matrices: 1575\n\u0026amp; 1576 bm I ∙ First issued on Grammophon 66856\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e8.\n\n\u003cstrong\u003eFLOTOW Alessandro Stradella - Overture\u003c\/strong\u003e\n\n\u003cstrong\u003e \u003c\/strong\u003e\n(8:01)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded September 1928 in the Hochschule für\nMusik, Berlin ∙ Matrices: 1345 \u0026amp; 1346 bm I ∙ First issued on Grammophon\n66795\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n1.\n\n\u003cstrong\u003eMAILLART Les Dragons de Villars - Overture \u003c\/strong\u003e\n\n(6:19)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded September 1928 in the Hochschule für Musik, Berlin\n\n∙ Matrices: 1347 ½ \u0026amp; 1348 ½ bm I ∙ First issued on Grammophon 66796\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e2. \u003cstrong\u003eJ. STRAUSS II Die Fledermaus - Overture\u003c\/strong\u003e (8:28)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded Autumn 1927 in Berlin\n∙ Matrices: 716 \u0026amp; 717 bm ∙ Unissued on 78 rpm\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e3. \u003cstrong\u003eSMETANA Vltava from Má vlast\u003c\/strong\u003e (10:42)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 15 April 1930 in Studio Wilhelmsaue, Berlin\n\n∙ Matrices: 30467\/9 ∙ First issued on Ultraphon E 465\/6\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e4.\n\n\u003cstrong\u003eWEINBERGER Polka from Schwanda the Bagpiper\u003c\/strong\u003e\n\n(2:24)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 15 April 1930 in Studio Wilhelmsaue, Berlin ∙ Matrix: 30470 ∙\nFirst issued on Ultraphon E 466\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eVERDI Il Trovatore\u003c\/strong\u003e\u003cbr\u003e5. Ah, sì, ben mio (3:01)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 October 1932 in Berlin ∙ Matrix: 0D 1166-2 ∙ First issued on\nElectrola EG 2636\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e6. Di quella pira (2:06)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 October 1932 in Berlin ∙ Matrix: 0D 1167-2 ∙ First issued on\nElectrola EG 2636\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePUCCINI Tosca\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e7. Recondita armonia (2:44)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 October 1932 in Berlin ∙ Matrix: 0D 1168-2 ∙ First issued on\nElectrola EG 2637\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e8. E lucevan le stelle (3:03)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 6 October 1932 in Berlin\n∙ Matrix: 0D 1169-1 ∙ First issued on Electrola EG 2637\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eNICOLAI Die lustigen Weiber von Windsor\u003c\/strong\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e9. In einem Waschkorb? (6:07)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 16 \u0026amp; 18 January 1933 in Berlin\n∙ Matrices: WR 403-2 \u0026amp; 404-2 ∙ First issued on Columbia DW 3047\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSMETANA The Bartered Bride\u003c\/strong\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e10. Každý jen tu svou (4:17)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 16 or 18 January 1933 in Berlin ∙ Matrix: WRX 9-1 ∙ First issued\non Columbia DWX 5037\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cbr\u003e\u003c\/span\u003e11. \u003cstrong\u003eFIBICH Poème\u003c\/strong\u003e (3:21)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded February 1934 in Vienna ∙ Matrix: Ve 2124-1 ∙ First issued on\nOdeon O-25387\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e12. \u003cstrong\u003eDVOŘÁK Humoresque\u003c\/strong\u003e (2:53)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded February 1934 in Vienna\n∙ Matrix: Ve 2125-1 ∙ First issued on Odeon O-25387\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eRudolf Gerlach-Rusnak\u003c\/strong\u003e\n(tenor) (CD 2, Tracks 5 - 8)\u003cstrong\u003e\u003cbr\u003eGerhard Hüsch\u003c\/strong\u003e\n(baritone) (CD 2, Track 9)\u003cstrong\u003e\u003cbr\u003eEugen Fuchs\u003c\/strong\u003e\n(bass) (CD 2, Tracks 9 - 10)\u003cstrong\u003e\u003cbr\u003eCharles Kullmann\u003c\/strong\u003e\n(tenor) (CD 2, Track 10)\u003cstrong\u003e\u003cbr\u003eJarmila Novotná\u003c\/strong\u003e\n(soprano) (CD 2, Tracks 11 - 12)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBerlin-Charlottenburg Opera Orchestra\u003c\/strong\u003e\n\n(Orchester der Städtischen Oper) (CD 1, Tracks 1 - 3 and CD 2, Tracks 5 -\n10)\u003cstrong\u003e\u003cbr\u003eBerlin State Opera Orchestra\u003c\/strong\u003e\n(CD 1, Tracks 4 - 8 and CD 2, Tracks 1 - 2)\u003cstrong\u003e\u003cbr\u003eBerlin Philharmonic Orchestra\u003c\/strong\u003e\n(CD 2, Tracks 3 - 4)\u003cstrong\u003e\u003cbr\u003eVienna Concert Orchestra\u003c\/strong\u003e\n(CD 2, Tracks 11 - 12)\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlexander von Zemlinsky\u003c\/strong\u003e\n(conductor)\n\u003c\/p\u003e\n\u003cp\u003e\nCD 2, Tracks 5 - 10 sung in German\u003cbr\u003eCD 2, Tracks 11 - 12 sung in Czech\n\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eProducer and Audio Restoration Engineer:\u003cb\u003e Mark Obert-Thorn\n\u003c\/b\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\nSpecial thanks to James H. North and the Yale Collection of Historical\nSound Recordings (Mark Bailey, director) for providing source material,\nand to Oliver Wurl for discographic information.\u003c\/p\u003e\u003cp\u003eCover artwork based on a photograph of \u003cb\u003eAlexander von Zemlinsky\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTotal duration:  1hr 54:03 \u003c\/b\u003e    \u003cbr\u003eCD1: 58:33  CD2: 55:30    \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PASC642.png578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PASC642.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Mono 16-bit FLAC","offer_id":44064690602074,"sku":"cmn1789303264142","price":19.66,"currency_code":"USD","in_stock":true},{"title":"320kbps Mono MP3","offer_id":44064690634842,"sku":"nzu1789303264143","price":16.09,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/3807\/0874\/files\/zemlinsky-the-complete-recordings-1927-1934---pasc642_1.png?v=1789303271","url":"https:\/\/vestorawear.shop\/products\/zemlinsky-the-complete-recordings-1927-1934-pasc642","provider":"My Store","version":"1.0","type":"link"}